Formal Assessment for assessment III, 16x items, labeled 1 – 16

I have reprinted all my photos using the adopted lilac Hue style suggested by my Tutor as I like the result and further to his comments, I also re-took the photo of image 5 standing on the soap-box for a better composition and made some Photoshop improvements to some of the other images for example image 3 (please refer to my earlier blogs) .  Included in the folder is my Tutor’s report, Shaun Mullins – 512659 – Photography 1 Context & Narrative – Assignment 3 (1)  My 300 word introduction labeled 1 of 16 300-word-introduction The character descriptions from my friends and family and a printout of the associated anchoring text marked 6 of 16 a-self-portrait-as-regarded-by-othersDads Character StatementSarahs Character Statementimg547img551

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Formal Assessment for Assessment II, 9x items, labeled 1 – 8a and 8b

For this assessment, taking on board my Tutor’s comments I took two new photos one for image to simply change the composition from portrait to landscape for consistency and I changed the last image for a strong picture.  I also reprinted all the images using my Tutor’s suggestion of adding a little lilac to the Hue as I was unhappy with the colour cast I appeared to be getting as I couldn’t get a perfect black or grey.  This intended Hue is very subtle and I like the result.

Included in the folder is my Tutor’s report Shaun Mullins – 512659 – Photography 1 Context & Narrative – Assignment 2  a printed copy of the anchoring text for each image  marked 8a the-unseen and my 300 word introduction marked 8b redundant-reflections and the photos.

 

Dodge and Burn

Further to comments made by my Tutor, I have used the Burn feature in photoshop to reduce the highlight area to the left of the picture that my Tutor suggests pulls the eye.

Before.

no-dogs-2-resized

After:

no-dogs-3-resized

My skills with Photoshop are still very basic and a thorough scrutinisation of the brick work will quickly reveal the work I have done with the ‘Healing Brush’.  Although I hope that no one is going to look too closely at the brick work.

Crisis of the Real, Andy Grundberg

crisis_of_the_real

Andy Grundberg is an American art critic, based in New York who over a period of the 1980’s and 1990′ has written a number of important essays of artists and their exhibitions which he has written for The New York Times, etc.  His critical analysis of artist such as Walker Evans, Georgia O’Keefe, Joel Sternfield, Nan Goldin, Cindy Sherman, Richard Prince, Robert Mapplethorpe, Lewis Hine, Robert Heinecken, gives a very good insight into a great many of 2oth century artists both modernist and postmodernist with a helpful explanation as to the difference.  I found this book as recommended reading on Amazon and I dare say I expect to find it listed among future recommended or required readings in my OCA journey.  A good book to read.

Remedial work to assignment 5

no-dogs-1

This was my original image that I submitted to my Tutor and based upon his report I have amended the image through Photoshop.   I have tried to reduce the high light on the door but I don’t won’t to remove as I won’t it to remain a clue to the real identity of the entrance and the door keeper.

no-dogs-2-resized

I have cropped in a little and used the healing tool to extend the brick work on either side of the door.

The Photography Reader, edited by liz Wells

the_photography_reader

This book is full of famouse / influential essays for photography and a particular essay of  interest is ‘See Photographically’ be Edward Weston.  In his essay under the section ‘Recording an image’ he describes an image being a piece of art when the artist has pre-visualized his intended work and selected the elements, composed and framed his picture through a planned process.  This I feel simply sums up true art and can be applied to music, painting, sculpture any medium that can be hailed as art.  additional good essays to read or re-read are Barthes expects from ‘Camera Lucida’ and Rhetoric Of The Image, Walter Benjamin’s extracts from ‘The Work Of Art In The Age Of Mechanical Reproduction’.  Also there are some good essays on fetishism which helps to understand the full meaning and use of this term, which would typically be only associated with sexual deviations.

Again this was a book listed as recommended reading of my Art of Photography course which had no bearing to the subject matter covered in the syllabus.  However, this book made sense with connection to the course on ‘Context and Narrative’ as many of the essays had been referred to or covered, yet it is odd that this book is not on the reading list.  I found the book a little dry at times as the essays differ in style; but overall this is a book that I am glad to have read.