Tag Archives: agenda

Research point – Sophie Calle’s, Take Care of Yourself

take_carePhoto by Sophie Calle.

http://www.bing.com/images/search?q=sophie+calle+take+care+of+yourself&view=detailv2&qpvt=sophie+calle+take+care+of+yourself&id=146C84BEE2771A29D7531289D3A155D79E5A8818&selectedindex=10&ccid=fgwGNZo8&simid=608002889935160216&thid=OIP.M7e0c06359a3c5e83367c18fc2bed29afo0&mode=overlay&first=1

Sophie Calle is a French photographer living and working in Paris.  Her project ‘Take Care of Yourself’ was inspired by a text message from her boyfriend who was dumping her by text.  The idea for the title was from how he signed off his text, “Prenez soins de vois” (Take care of yourself).  Calle writes that the idea came to her just a couple of days later after she had shown the message to friends and asked for there comments, she maintains that her agenda was never for revenge but was simply an inspired idea for an artistic project.  She makes no mention of the ex-lovers name and although she knows he was unhappy with the project, he decided (perhaps sensibly) not to interfere.

Once she decided to use her text as the subject for her project she spent two years showing around her text to a 107 professional women, photographed them reading it and invited them to analyse it according to their job: The text’s grammar and syntax was torn apart by a copy editor, his manners rubbished by an etiquette consultant, his lines pored over by a Talmudic scholar, his text re-ordered by a crossword setter, evaluated by a Judge, shot up by a markswomen, second guessed by a chess player, performed by actress, Jeanne Moreau, a psychiatrist called the author of the text “A twisted manipulator”  Taken from an interview with The Guardian, ‘He loves me not’ and a Guardian article about her exhibition at the Whitechapel Art Gallery also see Review to the Whitechapel Art Gallery exhibition.

I found this to be a very funny, cleaver and entertaining idea of addressing a very personal and upsetting experience.  On one level in is a way she is getting even, on another level she is rising above it and by turning it on it’s head she is making art out of it.  On yet another level she is empowering other people who perhaps have experienced something very similar in their own lives.  I like the way she has creatively produced different images of the text, a ballet dancer reading it as she conducts stretching exercises on the bar, a lady reading the text with the text overlaid on the whole image, another turned in to a greeting card for example.

This project is a very interesting example of postmodern work it makes us consider our modern life styles and methods of communication and how this impacts on us as individuals and as human beings.  This insider position is also a reflection of modern women and their growing empowerment.

 

 

 

Exercise, Project 4, Sarah Pickering

I have just been looking at the work of Sarah Pickering on her website: http://www.sarahpickering.co.uk/ much of her work on the website appears to have been with the assistance of the Police and Fire Brigade.

All her images lack people, all her images are totally empty of people in the streets, rooms, exhibitions spaces, etc.

For me Pickering’s project, ‘Public Order’ produces a feelings of silence, vacancy / emptiness, stillness and either implied or suggested impending doom.  The images from the Fire Brigades training facilities, ‘Fire Scene’, are disturbing images of disaster and menace, in so much as they are scenes of house fires with all the victims personal affects in place and it is easy to imagine the victim or victims asleep near by and that these are real events.  In her project ‘Incident’ she examines the charred, smoke damaged and scorched interiors of rooms and corridors that the fire brigade practice searching through under fire conditions with the recovery of victims.  Again these images produce a sense of stillness, and menace the use of black and white also adds an ‘atmosphere’ that I think Pickering wanted to convey in these images.

Is Public Order an effective use of documentary or is it misleading?

Yes, I believe ‘Public Order’ is an effective use of documentary.  The images have been set out on her website and the viewpoints that she has selected to take her pictures it is very easy to quickly realise that what you are looking at is either an Army or Police training ground.  The very first image of the entrance to the railway station and the fictional town name of Denton (made famous by ‘Inspector Frost’) clearly shows a station entrance lacking any turn styles and what appears to be film set like building fronts.  As you view each image we are taken on a tour of this training ground and we see signs of recent past use, the two cars blocking the road, make shift barricades with tires and shopping trolleys all tell their story as to the past action.  She takes us behind the scenes to where riot helmets are kept and other scenarios can be acted out.

Is this possibly misleading?

This question  is subject to the context that the images are placed with, are they not?  If we were to say that these images are of a training installation purely for the welfare for us all to protect us from Aliens, Zombies, and Vampire hoards then we would clearly be misleading.  Moreover, to suggest that these facilities could not be used to train a security force to subdue an unhappy population would also be misleading.  We can only except its existence and trust our society that in its openness to allow access and publicity for such sites we are assured that they have no other agenda than the protection public.  should these images have been taken covertly and leaked on to the internet to expose the existence of this facility then the whole context and narrative would be different.