Tag Archives: approach

Making it up as asked?

For assignment five, I have been given a fairly open brief, to create either a single image or a series of images to elaborate on the same theme.

I have chosen to create a single image.

“As the culminating assignment for the course you may wish to draw upon skills learned from Parts One to Four – issuing various forms of narrative, using yourself as subject matter, telling stories and reading images.  The only stipulation is that you produce work that has been controlled and directed by you for a specific purpose.  Remember to create a story with a specific context like the artists you’ve looked at in Part Five.  This means you need to have an artistic intention, so a good place to start would be to write down some ideas.  This could then form the basis for a 300-word introduction to the piece.  You may find it helpful to draw storyboards to help you visualize your ideas.”

I have produced an image taken from a narrative that I found through my research, I then story-boarded to find the appropriate image and I chose this intended picture in order to link it to a metaphor for today’s society.  This image has been created in context of a short story that acts as my 300-word introduction to my work.

“The aim of this assignment is to use props, costume, models, location, lighting, etc. to contribute to the overall meaning of the image.”

I have used a ‘No Pets’ sign and a pet dog as my props,  I have used two models to act out the characters in my image, The female model was dressed as a business woman and the male model as a smartly dressed man in a country suit with walking stick and hat both suitable for a smart gentleman out for a stroll and a man dressed for his funeral.  I chose to use the location of my local church that I felt suited the image.  I used speedlights, light modifiers, coloured gels and manipulated the white balance controls to achieve my desired affects.

“If the narrative is to be set in a different era then the elements of the image must reflect this.  Also consider the symbolic meaning of objects and try not to be too literal in your approach.”

My choice of costume is modern, Graham’s country suit is of a classic style and still popular today.  Ann-Marie, was wearing her normal business suit that she wears for interviews and corporate meetings.  Ann-Marie represents ‘Lucifer’ and I naturally didn’t want her in a Devil costume, holding whips, or sporting a Satanic tail; so I thought that simply dressing her in a sharp business suit and some lighting can imply a hidden layer to her true identity.

I have included snap-shots of my location and lighting set-up with sketches and notes as to how I planned and carried out the assignment.  I have written a 1000 word piece including the 300-word narrative.

Going through the criteria for this assignment, I feel that I have done everything as asked; so I just hope my Tutor likes my final work.

 

On Photography, Susan Sontag

On_Photography

Susan Sontag, On Photography, (1979) London, Penguin, ISBN: 978-0-14-005397-5.

This book by Susan Sontag is a collection of essays discussing how photography has influenced the world since its invention and how it has played a part in the surrealist art movement in the 20th Century.

The book was first published in 1977 and although photography has moved on she spends a lot of time discussing how photography was first introduced accepted or not and how it came to be the most enduring and influential part of the surrealist movement.  She also looks at how photographs are used and how they can be re-used.

Topics and points to note:

  • In teaching us a new visual code, photographs alter and enlarge out notion of what is worth looking at and what we have a right to observe.
  • Photos are a grammar and even more importantly, an ethics of seeing.
  • Photos give us the sense that we can hold the world in our hands.
  • In photographs the image is also an object.
  • As object they can be collected, bought & sold, cherished, thrown away, lost & found, etc, etc.
  • Photographs furnish evidence, they appear to provide proof when something is in doubt.
  • A photograph justifies, for example through use of surveillance and is a presumption of proof that something exists.
  • Photography has become almost as widely practiced an amusement as sex and dancing – which means that like all mass art form, photography is not practiced by people as an art.  It is mainly a social rite, a defence against anxiety and a tool of power.
  • Photographs can abet desire and emotions of morality.
  • The industrialisation of photography permitted its rapid absorption into bureaucratic ways of running society…photographs became part of the general furniture of the environment – touchstones and confirmations of that reductive approach to reality which is considered realistic.  Photographs were enrolled in the service of important institutions of control, notably the family and the police, as symbolic object and as pieces of information….many important documents are not valid unless they have affixed to them, a photographic-token of the citizen’s face.