Tag Archives: artist

The Photography Reader, edited by liz Wells

the_photography_reader

This book is full of famouse / influential essays for photography and a particular essay of  interest is ‘See Photographically’ be Edward Weston.  In his essay under the section ‘Recording an image’ he describes an image being a piece of art when the artist has pre-visualized his intended work and selected the elements, composed and framed his picture through a planned process.  This I feel simply sums up true art and can be applied to music, painting, sculpture any medium that can be hailed as art.  additional good essays to read or re-read are Barthes expects from ‘Camera Lucida’ and Rhetoric Of The Image, Walter Benjamin’s extracts from ‘The Work Of Art In The Age Of Mechanical Reproduction’.  Also there are some good essays on fetishism which helps to understand the full meaning and use of this term, which would typically be only associated with sexual deviations.

Again this was a book listed as recommended reading of my Art of Photography course which had no bearing to the subject matter covered in the syllabus.  However, this book made sense with connection to the course on ‘Context and Narrative’ as many of the essays had been referred to or covered, yet it is odd that this book is not on the reading list.  I found the book a little dry at times as the essays differ in style; but overall this is a book that I am glad to have read.

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Julie Cockburn

Julie Cockburn

I learned of this artist through a fellow student  on Facebook.  Cockburn appears to specialize in ‘found photographs’ that she embellishes with embroidery, etc. often to disguise or obliterate the face / identity of the person in the picture.  She has exhibited and sells her picture for large sums http://thephotographersgallery.org.uk/juliecockburn.  Like the lady in the picture, I can say no more about this artist.

As artist we are a funny breed! I was recently told by an artist that most artists are Socialists and I often hear them talk about the evils of Capitalism and then I go and find that artist will find someone else’s old photos and scribble, scratch, embroider or simply add a title to alter their meaning and put them up for sale for large sums of money.  Seems to me without the evil Capitalist world we would be starving or more likely simply not doing art!

Salvador Dali was kicked out of the Surrealist movement for supporting Franco, perhaps his real crime was that he just couldn’t be hypercritical enough for his fellow contemporaries.

 

Photography: A Cultural History, 4th Edition by Mary Warner Marien

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Photography: A Cultural History, 4th Edition by Mary Warner Marien, published by Laurence King Publishing.

I have just finished reading Photography: A Cultural History that I began reading back in late May and have finally finished reading today.  This book was very dry for me and I had to interrupt reading it by reading about four other books in the meantime.  However, I have persevered and finished it.  To be fair it is a good book all the same, as it tells a good comprehensive history of photography from conception to present day.   This book explaining the influences from art, politics and national cultures that has shaped photographic practices throughout the world from the 1830’s to present day with details on photographers / artist with examples of their work that have been of influence.

Certainly a must read book for any photography student and I do now have a better understanding of Surrealism, Modernism, Postmodernism, etc. than I did before.

The art of mosaics

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I have just completed a one day mosaic course with an artist called Jane Visick based in Hitchin in Hertfordshire.

It was a great experience and something I believe that I can incorporate with my photography.  Jane works with all kinds of materials, glass, ceramic, stone, metal, gems, plastics, resins practically anything you can cut up and glue down.  She mosaics floors pots,  walls anything and anywhere.  I want to use my photography to inspire ideas for images to mosaic.

The course consists of a practical workshop in which the student will have made a small mosaic to take home the course is for 1-3 and I was in fact her only student for my day with her.  During my initial conversation I suggested that I send her some ideas for my mosaic and for her to advise which if any was suitable to be completed in a day.  I looked through my photo library and offered up these images.

Jane suggested that all the fish and the flowers were possible and I decided upon a fish image and this was the chosen image to use for my mosaic.

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This was a blown up section of a larger picture.  All the fish pictures were taken using my Nikon D-800e 24-120 f/4 with an attached polarizing filter and the aid of a speedlite.  I chose this image for its movement colour and shape made by the water.

On arriving Jane briefed me on the tools and materials she used and books to read an in fact by coincidence her best book to recommend that I obtain, I had already placed on order through Amazon.

The Art of Mosaic

We began by deciding on the materials to use and glass was the decision and she then showed me the Technics of cutting glass to shape.  We then took my printed photo and laid it with a layer of carbon-paper on to the chip-board base to wish I was going to mosaic and using a pencil I drew around my fish and areas of different colours pressing so that the carbon paper below marked the chip-board with my desired design.  Removing the photo and paper I now had my design to mosaic.  We then selected the coloured glass and I began cutting up the glass until I had about a dozen small pieces to start choosing and gluing.

I was surprised to get the mosaic finished by the end of the day with only the grouting left to do and Jane provided me with a bag of grout to take home and this is the final result of my labors.

For a first effort I am very pleased and encouraged.  The mosaic was photographed on the floor inside a homemade light-tent of tracing-paper rolled in to a cone shape with the camera mounted on a tripod above and illuminated by three speedlights operated by infrared controller mounted to the camera.  the green glass is a stain-glass and is a mix of green and a white opaque which was perfect to represent the water of a pond. I chose to use a light-tent to create an even lighting without any annoying reflections.  I am pleased with the result as it is a good reproduction of the actual mosaic.

 

 

 

Public Information, Desire, Disaster, Document.

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Earlier in this course I was asked to research an essay from this book, I was fortunate enough to find a copy on Amazon as this book is currently out-of-print.  I have just fully read the book and found it useful for both future reference and current understanding of contemporary art as practiced by the current established photographic artists.  I say photographic artist but this includes artist who have used photography to inspire their work,  for example: Andy Warhol,.Gerhard Ritcher and Cady Noland.  This book documents a large exhibition project conducted in 1995 and the linking subjects are in the title: Public Information for example questioning the media in Stan Douglas’ exhibition, Desire as presented by Nan Goldin, Disaster as illustrated by Andy Warhol, Document as famously recorded by Robert Frank’s journey across America in the late 1950’s.  This book begins with a number of essays discussing the topics that these works touch.  The first is that of the title, Public Information, Desire, Disaster, Document by Gary Garrels; Wrong by Jim Lewis; Meditations on the Document by Sandra S Phillips; Desiring Machines (Notes on Commodity, Celebrity, and Death in the Early Work of Andy Warhol) by Christopher Phillips; Inside / Out by Abigail Solomon-Godeau; Leave Proof (Media and Public Information)  by Robert R Riley.  the rest of the book covers examples of the work presented by the artist for the project with a short introduction of the artist and the work.

The participating artist were: Robert Frank, Andy Warhol, Richard Richter,Edward Ruscha, John Baldessari, Dan Graham, Martha Rosler, Larry Clark, Jeff Wall, James Coleman, Chantel Akerman, Nan Goldin, Stan Douglas, Cady Noland, Felix Gonzalez-Torres.

The Fae Richards Photo Archive

http://www.archivesandcreativepractice.com/zoe-leonard-cheryl-dunye/

The artist Zoe Leonard and film-maker Cheryl Dunye collaborated to produce a project about a fictional American-African movie star called Fae Richards of the early 20th century and create an album of photographs charting her life and history from childhood at the turn of the 20th century through her glamorous carrier as a Hollywood movie star to her involvement with the civil-rights movement of the 50’s in to her old age.

The purpose was to question the truth of achievement and how history is recorded.  To ask, who gets included in written histories and why?  Who is left out and why? Who is in control of the information?

This is a cleaver project and required actors, carefully chosen costumes props and locations as well as authentic looking photography.

Maria Kapajeva

Photos by Mary Kapajeva. These linked images are from her website: http://www.mariakapajeva.com
Maria Kapajeva is an Eastern European artist living and working in London.  I find her work very interesting and she has a unique style.  Being a female artist she naturally brings in some feminine topics to her work but she combines them with cultural and modern influences that make these topics interesting.  I like her style.  The above image taken from her project ‘Family’ I particularly liked, as I liked the idea of two linking images.