Photo by Nigel Shafran, Titled, 4th January 2004. Three bean soup, cauliflower vegetable cheese. Morning coffee and croissants. From the series Washing-up. Available to view online: http://nigelshafran.com
Nigel Shafran is a photographer who has come from the fashion-world and moved across to Art Photography and has successfully exhibited his work at the Tate. His style is of the typical banal imagery popular with postmodernist thinking. My personal take on this style is, nice, but for me, a little goes along way.
The project, The Day-to-Day Life of Alfred Hastings by Kaylynn Deveney is a good example of Postmodernist art. Deveney has taken the idea of making the ordinary, banal moments in her neighbour’s life as the subject of her project. Deveney is looking at her neighbours habits and routines in a fresh respective and by asking Mr Hastings to add his own captions to her photographs of him and his home new meanings are added to the pictures that give it a more intimate / personal, insider, style than if she had simply added her own. This I think was a cleaver way to add more layers to this work. This project is similar to ‘Objects in the Field’ in so much as the author (Deveney) writes about her experience working with Hastings and her personal observations. However, in this instance I believe the artist was more successful in building a good relationship with her subject and was able to share a mutual vision. The reason for this I believe was that they had more in common with each other and the photographer did not have to make as much of an effort to find common ground. Mr Hastings wrote poetry and his love of flora and fauna suggests a man more open to artistic and visual ideas and arts that proved both useful and helpful as Mr. Hastings helped Deveney develop her ideas with his helpful comments and clearly a good partnership developed that appears to have been missing from Rickett’s relationship.