Tag Archives: captions

Reflection of my assessment feedback

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1# I HAVE RECENTLY BEEN MADE REDUNDANT

I have just received my Formative feedback from my Tutor and am pleased to learn that he liked my work.

Shaun Mullins – 512659 – Photography 1 Context & Narrative – Assignment 2

This project like all the others I have had so far have been great learning-curves both in angle and in a sense of achievement.  All good.

Fortune was smiling on me when I set-up this shot as I simply filled the waste-paper bin of paper rubbish that I had rescued from our recycling bin and the sales brochure with JUST YOU happened to find it’s way to the top of the heap or I may have most likely not noticed it!

My Tutor comments on the text captions and choice of various font size.  When I came to printing I simply went by what I thought looked right.  This worked for this occasion; but I take my Tutors point and must not make this a habit.

My Tutor commented on the image with the Mars bar, that the word BELIEVE on the Mars wrapper was a little too obvious.  On reflection, I would probably agree.  However, this was not a trick of Photoshop the Mars packaging was genuinely labelled BELIEVE on all the bars that came out of a family-pack of six Mars bars purchased from a supermarket.

My Tutors comment regarding the last two images being portrait rather than landscape is also an interesting comment to remember.  I did not realize that the change in framing format would make a difference and therefore this is something I must try to keep in mind for future projects going forward.

The last image that I produced in colour, I had intentionally wanted the colour to be a dominant green to represent growth, hope and a new start (green for go).  However, again his comments are all useful and his suggested idea for an alternative image is good and simple.

I still have a lot to learn about printing; but my first attempt was acceptable at least and again I appreciate my Tutors advice.

One area of my study that I have neglected is visiting exhibitions and taking advantage of study days.  This I will start address from next week going-forward.

Also I appear to not be fully meeting my colleges strict copyright code, again this I need to address.

I am relieved that my assignment passed and that I can concentrate on my next assignment.

 

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Project 3, Exercise.

In this last project of this section, I have looked at the concept of creating images that convey a sense of the unseen, for example feelings and emotions.  I have already started to think about this form of art with my last exercise of creating images for a  poem and this project is moving this theory forward in to use of every day life and personal experiences.

I have been introduced to three different projects by photography students as examples of creating images out of the unseen.  The first is by Peter Mansell (My Space) who has taken photos of objects and even of empty spaces that represent his disability and his life.  I very much like these simple but well thought out and composed images.  I got a very real sense of his visits to the hospital and Peter’s life at home.

The second project is by Dewald Botha (Ring Road) I liked the interesting perspective and sense of being on the outside.  The timing of the photos suggest early morning with a cold mist and overcast looking skies this could of course just be smog but it evokes a sense of cold and the unusual locations of not belonging almost like trespassing.

The third project is by Jodie Taylor (Memories of Childhood) the link for this only illustrates three photos but I was able to understand the sentiment and sense of nostalgia as we see these places of her childhood.  I think that all of the photos from all three projects are cleverly conceived and nicely composed.  The project that resonates most with me was Dewald Botha’s, ‘Ring Road’.  I have been in sales for much of my life and I was a Territory Sales Rep. I was working from home; so I was always a little bit of an outsider even with my own company as I would only visit their offices for sales meetings and training days.  I have often found that we set boundaries for ourselves in both our professional and personal life and boundaries is the subject that Botha explores.  I often used the M25 to travel to all compass points of my sales territory and his choice of subject matter struck a cord.

Authorial Control

This concept of loss of authorial control doesn’t mean a lot to me.  The point of creating an image, sculpture, music or literature is to express your ideas in to something of substance; but how other people choose to interpret the work is up to them.  Hopefully if you have done a good job the meaning of that idea is obvious and will be experienced as you intended it to be.  (Unless the idea was to be deliberately ambiguous and to enjoy watching others make interesting interpretations.)  A photograph can be easily re-used re-labelled and re-contextualized and perhaps as students and later as photographers we will do this to other peoples work and one day others will do it with ours.  That’s life.  Moreover, if a photographer is employed by a magazine then that employer must have rights over the editorial decisions.  A wedding photographer on the other hand has more control; but at the end of the day the Bride and Groom can always re-frame the pictures and add their own captions etc.  In my opinion it’s not worth loosing our hair over this idea of authorial control.

 

Research point -Kaylyn Deveney, The Day-to-Day Life of Alfred Hastings

thZKTIBUL4 Photograph by Kaylynn Deveney.

http://www.bing.com/images/search?q=kaylynn+deveney&view=detailv2&&id=F09663C9697BE7CF957465C053E9D4E5E031D1A9&selectedIndex=0&ccid=VSJLX6U0&simid=608053287080035439&thid=OIP.M55224b5fa534123d0bd481c4048f7a6ao0&ajaxhist=0

The project, The Day-to-Day Life of Alfred Hastings by Kaylynn Deveney is a good example of Postmodernist art. Deveney has taken the idea of making the ordinary, banal moments in her neighbour’s life as the subject of her project.  Deveney is looking at her neighbours habits and routines in a fresh respective and by asking Mr Hastings to add his own captions to her photographs of him and his home new meanings are added to the pictures that give it a more intimate / personal, insider, style than if she had simply added her own.  This I think was a cleaver way to add more layers to this work.  This project is similar to ‘Objects in the Field’ in so much as the author (Deveney) writes about her experience working with Hastings and her personal observations.  However, in this instance I believe the artist was more successful in building a good relationship with her subject and was able to share a mutual vision. The reason for this I believe was that they had more in common with each other and the photographer did not have to make as much of an effort to find common ground. Mr Hastings wrote poetry and his love of flora and fauna suggests a man more open to artistic and visual ideas and arts that proved both useful and helpful as Mr. Hastings helped Deveney develop her ideas with his helpful comments and clearly a good partnership developed that appears to have been missing from Rickett’s relationship.