Tag Archives: composed

Alternative images as per my Tutor’s comments.

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This is my new alternative presentation from my original work for assignment 2 based upon my Tutors comments.

My Tutor commented on two images that he felt should have been composed in landscape to be consistent with my other images and he felt that the last image was weak in comparison the the rest.  I have therefor re-shot to offer better alternatives.

The first was referring to my dog and this was the original portrait version.

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D-800e, 24-120mm f/4 @ 120mm, 1/20 sec, f/8, ISO-320, daylight W.B.  Adjustments made in Lightroom to convert to black-and-white and then image tinted in Photoshop, Hue 257, Saturation 3.

This new version composed in landscape photographed in RAW and converted to black-and-white in Lightroom and tinted in Photoshop.

This next image Clive felt was weak.

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Clive’s two objections were that again it has in portrait and he felt the colour was at odds with the black-and-white theme of the other images.

I  can not re-do this picture to landscape as time has moved on and this bud has since flowered and gone.  Furthermore, I was never one-hundred percent happy with it anyway, as I had struggled to come up with a better idea for an image.  However, I have recently had a new idea that I like….

alternative-idea

As you can see I have sketched out my idea of an image of myself suited and booted shaking hands with another suited and booted person whilst discreetly crossing my fingers.  I want this image to denote a business meeting or interview and connoting a message of hope and optimism for the future.  I set the camera up on a tripod, used one speedlight in a soft-box controlled remotely by Pocket wizards.  The camera was set to manual and manual focus and tethered to my lap-top for picture control, I also used a separate Sekonic lightmeter to meter the flash.

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D-800e, 24-120mm f/4 @ 120mm, 1/125 sec, f/6.3, ISO-125, flash used, daylight WB.  Adjustments in Lightroom to black-and-white and colour tint adjustments made in Photoshop, Hue 257, Saturation 3.  On reflection of this picture, I now consider that a second light would have been in order, set in front of me and to the left to help separate my right arm from the background.  I could mess about in Photoshop to get better separation; but for this exercise I wont.

Using Clive’s suggested tinting I have produced new tinted versions of the rest of the black-and-white images.  The originals are on the left and the new tinted versions on the right.

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Exercise-Project-3-Self-absented Portraiture


Photo by Nigel Shafran, Titled, 4th January 2004. Three bean soup, cauliflower vegetable cheese. Morning coffee and croissants. From the series Washing-up. Available to view online: http://nigelshafran.com

This image has a tell-tale clue that this is a man’s washing-up from the drying paint-brush hanging over the sink.  It doesn’t surprise me that these photos are taken by a man; but the choice of subject matter does.  I am sure many married men (I being one) often do the washing up.  My father often washes up for my mother but he often does such a poor job of it needs cleaning again.  Thankfully I don’t follow in this tradition.

I would agree with the opinion that gender does contribute to a the creation on an image.  for the reasons that certain issues will have more of a personal interest to one gender than the other for example – various feminine social, private and public politics; sexuality; male and female health issues to mention just a few.

These images have been composed without including people in the frame.  The angles and vantage points of the camera puts the viewer at normal head height relative to the subject matter.  This gives the impression to me of putting the viewer in to the picture; so that this not only can represent the artists daily chores but also offering up the chore to the viewer to do.

As a still-life the concept of putting the viewer in to the picture I do find interesting but these images as they stand as photos of washing-up, I wouldn’t spend much time in a gallery scrutinizing.  Has these images been carefully arranged?  Perhaps, perhaps not.

Project 3, Exercise.

In this last project of this section, I have looked at the concept of creating images that convey a sense of the unseen, for example feelings and emotions.  I have already started to think about this form of art with my last exercise of creating images for a  poem and this project is moving this theory forward in to use of every day life and personal experiences.

I have been introduced to three different projects by photography students as examples of creating images out of the unseen.  The first is by Peter Mansell (My Space) who has taken photos of objects and even of empty spaces that represent his disability and his life.  I very much like these simple but well thought out and composed images.  I got a very real sense of his visits to the hospital and Peter’s life at home.

The second project is by Dewald Botha (Ring Road) I liked the interesting perspective and sense of being on the outside.  The timing of the photos suggest early morning with a cold mist and overcast looking skies this could of course just be smog but it evokes a sense of cold and the unusual locations of not belonging almost like trespassing.

The third project is by Jodie Taylor (Memories of Childhood) the link for this only illustrates three photos but I was able to understand the sentiment and sense of nostalgia as we see these places of her childhood.  I think that all of the photos from all three projects are cleverly conceived and nicely composed.  The project that resonates most with me was Dewald Botha’s, ‘Ring Road’.  I have been in sales for much of my life and I was a Territory Sales Rep. I was working from home; so I was always a little bit of an outsider even with my own company as I would only visit their offices for sales meetings and training days.  I have often found that we set boundaries for ourselves in both our professional and personal life and boundaries is the subject that Botha explores.  I often used the M25 to travel to all compass points of my sales territory and his choice of subject matter struck a cord.

Authorial Control

This concept of loss of authorial control doesn’t mean a lot to me.  The point of creating an image, sculpture, music or literature is to express your ideas in to something of substance; but how other people choose to interpret the work is up to them.  Hopefully if you have done a good job the meaning of that idea is obvious and will be experienced as you intended it to be.  (Unless the idea was to be deliberately ambiguous and to enjoy watching others make interesting interpretations.)  A photograph can be easily re-used re-labelled and re-contextualized and perhaps as students and later as photographers we will do this to other peoples work and one day others will do it with ours.  That’s life.  Moreover, if a photographer is employed by a magazine then that employer must have rights over the editorial decisions.  A wedding photographer on the other hand has more control; but at the end of the day the Bride and Groom can always re-frame the pictures and add their own captions etc.  In my opinion it’s not worth loosing our hair over this idea of authorial control.

 

Working Log for Assignment One – Two sides of the story

The Report

The Statement

For this assignment I was tasked to create two sets of photographs telling different versions of the same story to explore the convincing nature of documentary photography.

The aim of this assignment was to demonstrate that images and ideas about truth have problematic relationships.

Planning

Key_Points_Learning_Aims

I began this project by first scribbling down some ideas on note paper, considering the key points and learning aims before brainstorming for some ideas. I then made lists headed ‘Context’ and ‘Narrative’ and began to formulate ideas with a mind-mapping / tree graphs that helped filter ideas which led me to the idea of witnessing an incident that can be interpreted either as an attack or a rescue.

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To try to make these two sets of images look authentic, I decided that a camera-phone was the best and most appropriate choice of camera for this particular narrative. Therefore, I hope that by using this method of recording the ‘incident’, I will have created both an implied appearance of truth for a citizen-journalistic story and an evidence style narrative.

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I then considered the photographs that I required to tell the two versions of the same story by making a list and then sketching out some ideas as a storyboard. I then approached my friends and parents with my idea and obtained their helpful co-operation.

Next I reconnoitred the proposed location taking notes of light, traffic, and the bus time table and made some test shots.

Putting the plan into action.

I first wrote my two narratives one I headed “The Statement” and the other I headed “The Report” and briefed my models and driver of the car using it.

Due to the bright sun I chose to photograph from the opposite side the road from my original test shots and the Church helped with the background. Normally this road is very quiet but (typically) was busy which reduced the time I had to make the pictures and limited the opportunities to re-shoot. I found the camera-phone’s response time to be slow and difficult to review properly a further complication was my father didn’t understand that I needed him to stop the car almost on the zebra-crossing for a more dramatic picture and the busy traffic prevented me from being able to either re-position the car or I before a queue began to form. Therefore, I was only partially successful with obtaining all the photos that I was happy with. As I could not re-shoot, I had to use Photoshop to manipulate two images to make them more dramatic. I have re-used three images in both narratives as they work for both, one I have cropped out the bus to emphasise the assailants escape.  I then hand wrote labels for each photo that I attached and downloaded a Met Police witness statement that I had wrote for ‘The Statement’ and typed ‘The Report’ as a covering letter to a newspaper to help support the ‘context’ for both stories.  I used an online printing service for my photos but on receiving them and physically examining them, I made a couple of editing decisions by removing a couple of chosen pictures from the original choice and ordering two additional duplicates. Finally before sending, I made one final editorial decision requiring getting a single photo from the photo lab at Tesco’s, hence why one image ‘the escaping attacker’ is of a different size and crop.  Clearly this is the downside of not having your own printing facilities.

Merged photos – left image, lady looking the wrong way for the narrative to work but good pose of running man, right image lady looking the right way but not good pose for the running man, both images merged using Photoshop.

Merged photos – left good poses but car too far away, right car taken from this image and merged with left picture using Photoshop.

Three printed images edited from the final selection.   Reason – I did not consider them necessary to the narrative.

Images duplicated as they suited both narratives and the bus image re-used but cropped for ‘The Statement’ narrative to imply that the attacker was escaping.

Summing up

Key points –

  • Two sets of images 5-7 each total 10-14.
  • Suggest two alternative points of view.
  • Must tell a story.
  • Look convincing.  This is subjective but I feel I made fairly convincing.
  • Candid style.

Learning aims –

  • I believe that I met my learning aims exploring the nature of documentary photography by producing two contrasting points of view of the same incident.
  • I understood the power of imagery for both inside and outside the frame as demonstrated by my choice of framing / cropping, positioning for the view and editorial of the prints.
  • I understood context and putting it in to practice with my choice of images and use of text for the captions for each photo and the addition of the letter and police statement.

Research point – Duane Michals

This image by Duane Michals cleverly uses hand written text to suggest a personal relationship between the author of the caption and man in the image.  The black and white print eliminates any distracting colours to concentrate the emotional feeling of love.  However, is the picture a genuine snap shot of the artist and his ex? or is it a composed image?  Who took the photograph? Why was he of she in the bedroom with them?

I would suggest that this is a posed photograph and the hand written text intentionally alters the context to suggest a personal memory a reflection on a past relationship; but fiction all the same.  Below is another image which we can see is posed and the hand written message adds humour to the context.

Research point – Karen Knorr, Gentlemen

Photograph by Karen Knorr

An interesting project by Karen Knorr with privileged access to London’s Gentlemen clubs of St. James’ in London.  Knorr photographs in black and white appear to be taken of a medium format camera and are very sharp and well composed.  She has cleverly added texts constructed out of Parliamentary speeches and news she has added new contexts and meanings to these images to put across her ideas of British politics and democracy and the status of women in an entertaining way.

To me, this is a little like the idea of Sophie Calle’s, ‘Take Care of Yourself’.  Knorr has taken other peoples text and linked it with carefully composed pictures with a feminist point of view.  However, the similarities stop there as Knorr is clearly an outsider and has little in common with her subject; so she has had to use speeches that members of clubs like this have said in Parliament or have been quoted on the news to create a narrative that puts across her documentary message in an entertaining way.  Calle on the other hand was an insider as she shared a common experience with fellow women.