Tag Archives: dressed

Making it up as asked?

For assignment five, I have been given a fairly open brief, to create either a single image or a series of images to elaborate on the same theme.

I have chosen to create a single image.

“As the culminating assignment for the course you may wish to draw upon skills learned from Parts One to Four – issuing various forms of narrative, using yourself as subject matter, telling stories and reading images.  The only stipulation is that you produce work that has been controlled and directed by you for a specific purpose.  Remember to create a story with a specific context like the artists you’ve looked at in Part Five.  This means you need to have an artistic intention, so a good place to start would be to write down some ideas.  This could then form the basis for a 300-word introduction to the piece.  You may find it helpful to draw storyboards to help you visualize your ideas.”

I have produced an image taken from a narrative that I found through my research, I then story-boarded to find the appropriate image and I chose this intended picture in order to link it to a metaphor for today’s society.  This image has been created in context of a short story that acts as my 300-word introduction to my work.

“The aim of this assignment is to use props, costume, models, location, lighting, etc. to contribute to the overall meaning of the image.”

I have used a ‘No Pets’ sign and a pet dog as my props,  I have used two models to act out the characters in my image, The female model was dressed as a business woman and the male model as a smartly dressed man in a country suit with walking stick and hat both suitable for a smart gentleman out for a stroll and a man dressed for his funeral.  I chose to use the location of my local church that I felt suited the image.  I used speedlights, light modifiers, coloured gels and manipulated the white balance controls to achieve my desired affects.

“If the narrative is to be set in a different era then the elements of the image must reflect this.  Also consider the symbolic meaning of objects and try not to be too literal in your approach.”

My choice of costume is modern, Graham’s country suit is of a classic style and still popular today.  Ann-Marie, was wearing her normal business suit that she wears for interviews and corporate meetings.  Ann-Marie represents ‘Lucifer’ and I naturally didn’t want her in a Devil costume, holding whips, or sporting a Satanic tail; so I thought that simply dressing her in a sharp business suit and some lighting can imply a hidden layer to her true identity.

I have included snap-shots of my location and lighting set-up with sketches and notes as to how I planned and carried out the assignment.  I have written a 1000 word piece including the 300-word narrative.

Going through the criteria for this assignment, I feel that I have done everything as asked; so I just hope my Tutor likes my final work.

 

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Assignment 5 – Making it up

Club Class

from an original story by: Earl Hamner Jr.

club-class

A Traveller and his best friend were walking along a road they were both dead; and looking for somewhere to rest.

Eventually, they came to a high stone wall along one side of the road.  Set in to the wall was a tall arched open door.  Standing in the doorway was a smartly dressed, attractive, young lady.  The Traveller greeted her and asked her where they were.

“Why, this is Heaven!” She replied.

“Wow!” the man replied and they both proceeded to enter.

But the young lady stopped them and said, “I’m sorry, but we don’t accept pets.  There is a place for your dog just up the road, leave him with me and I will take care of him.”

The Traveller thought for a moment and unable to leave his friend outside he decided to continue his journey along the road.  Further along they came to a gate that stood alone, with neither a wall nor fence attached; and it looked as if it had never been closed, he saw a man behind the gate, leaning against a tree, reading a book.

“Excuse me!” called the Traveller. “Do you have any water?”

“Yes, there’s a pump over there, come on in.”

“How about my friend here?”  (Gesturing to his dog).

“You should find a bowl by the pump.”

They went through the gate, and sure enough, there was a hand pump with a bowl beside it. The traveller filled the water bowl for his friend before taking a long drink for himself.

When they were finished, the Traveller asked the ‘Gateman’,

“What do you call this place?”

“This is Heaven,” he answered.

“I’m confused,” Protested the Traveller. “The young lady down the road said that that was Heaven, too.”

Shaking his head sadly the ‘Gateman’ replied, “Oh no!  That’s certainly not Heaven! That’s the gate to hell!”

“But can you not do something to stop her tricking people in to entering hell?”  Demanded the Traveller.

“No!  We’re just happy that they screen out the folks who would leave their best friends behind.”  He replied with a wry smile.

no-dogs-1

So much for the contextual narrative!  What do we see?

A man stands in the foreground holding a dog on a lead, whilst gripping a walking stick with the other hand.  He’s looking at the dog that’s looking back, he’s dressed in a suit with a Yorkshire cap; both he and his dog are drained of any warm colours with a distinct cold blue hue tone as is most of the image.  In the background we see a sign indicating no dogs on a wall by an open door, inside the doorway we see a smartly dressed young woman, she appears to be pointing or wagging her finger, her mannerism implies a negative signal and her legs crossed emphasizes this negative message.   She appears to be illuminated by very warm amber light and a red halo rims around her head.

My intention for this image is to create a division between the outside world of the Traveller and his dog with the world beyond the door in which the women stands.  To achieve this I used the white balance settings of my camera, gelled speedlights and made additional enhancements in Lightroom.  The Traveller is between worlds, it is cold.  He and his dog are both dead and I wanted their shades to reflect this.  The young lady on the other hand is standing somewhere that is very warm and I wanted to convey this; I also wanted to hint at danger using rim lighting.

There is another message in this picture, one of temptation.  The young lady represents the fetish pleasures of capitalism; her sexuality is to tempt the man away from his moral values.  The price for this implied promise of luxury and pleasure is that he must be selfish and turn away from anything that could hold him back.  His dog represents his values and socialistic principles of loyalty, trust, responsibility and selflessness.

I didn’t want to create an obvious ‘Lucifer’ therefore I thought that a sharp dressed business woman would act as a suitably modern metaphor for him/her.

When creating this image, I tried to keep in mind Barthes idea of studium and punctum.  The Traveller and dog is part of the studium of the picture punctuated by the warm coloured image of the attractive women (the punctum).  I wanted to carefully construct a single image to project my intended narrative.

This was a particularly tricky picture to make when depending on the unreliability of a dog and using non-professional models.  Further complication was that my chosen doorway was unavailable to me due to a lost key.  The location I chose happened to be my local church which had the ideal doors.  I obtained permission from the Vicar however, on the appointed day the Vicar had taken his wife away for her Birthday and not informed anyone of our arrangement.  No one had the key to my chosen Choir Vestry door; so I had to use a fire escape door instead.  This side door was exposed to the wind and also needed to be wedged open and in the process of the shoot I dropped an expensive speedlight that bounced and although remained serviceable may now need to be serviced by Nikon.  I was unable to get the perfect shot as either the speedlights failed to fire at the perfect time or the dog kept moving around and directing my models is still a new experience.  I ended the afternoon feeling low as I thought that I had failed to get a suitable image.  I gave myself a couple of days space and looked again and I was pleased to find some images that I could collage together to make one suitable picture in Photoshop.

I enjoyed making this image and although it may not have a great wow factor, I am pleased that I was able to achieve my vision.  I would like to make more images based on a narrative theme in the future, perhaps using novels biblical stories, sagas, legends and songs.

Exercise – ‘Question for Sellers’ by Nicky Bird.

http://nickybird.com/projects/question-for-seller/

Nicky Bird purchased old unwanted photographs on Ebay, first waiting to see if anyone bid for them and if no-one did he purchased them himself and asked the seller, how they came to own the pictures and what they knew about them?

This is an interesting subject as I had never imagined that family photographs would ever become unwanted / redundant.  Their meaning lost, their memories forgotten.  That is until a recent event in my own life touched on this very subject.  My wife’s Aunt died without issue in 2011, her husband had died the year before and she left her whole estate to her four nieces.  When we were going through her things (which was a big task as she left a six bedroom house to be liquidated) I came across two old leather suitcases full of old family photos mainly of my wife’s Aunts family taken in the 30’s and 40’s.  No one was interested as Sarah’s Uncle was the family link and if I hadn’t have taken these cases myself they would have been lost for ever.  At the time I took them I had no thoughts of photography; but I felt a certain sense of responsibility that these lives should be remembered and these images should be kept.  I can’t explain why, I just thought it was the right thing to do.  Perhaps it is simply was that we all feel important and deep down wish to be remembered.  Photography gives us this chance, even if the name and the memory is lost the image can still tell future generations that we existed, what we looked like, how we dressed, and how we posed, even what the world around us looked like.  Photos are more important in this respect than say a painted portraits of a Victorian, for example. The photograph gives a better likeness, it captures the confidence or awkwardness of the subject; thus hinting at his or her character.  The camera captures background that can tell a little about that moment in time and perhaps history that the artist may leave out or re-interpret.  Sadly many family pictures will disappear over time and the surviving images will become more and more important.  Imagine if photography had been around at the time of the first Roman Republic, even if only all that survived was a few family photos of only ordinary citizens our historians would have a field day!

In this exercise I am asked if Bird’s second-hand pictures displayed on a gallery wall elevate their status?

I guess the answer has to be yes, for now they are now the focus of attention and anyone or anything that becomes the focus of attention must by default become elevated in status.

Where does their meaning derive from?

Their meaning derives only from the context of their use if they have lost their original identity.  An unwanted family photo of an unknown person, taken under unknown circumstances, perhaps even the location is unknown, then only the meaning that is attached to the picture from the exhibition exists.

When they are re-sold is their increased value because they are now art?

This is a commercial question and one that can not be simply answered with a yes or no.  If the exhibition is successful, if the pictures can attract a contemporary historians eye, if the pictures can capture the imagination of art collectors, there is a lot of ifs, if the seller can market these images correctly / cleverly to the right market.  Art is very subjective.