Tag Archives: exercise

Photography by Stephen Bull

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Photography, by Stephen Bull, published by Routledge.

I have just finished reading this book as part of the required reading for my course and I found it inspirational for my current exercise Image and text as part of project 2, Part Two – Narrative.  It has also provided me with ideas for my next Assignment.  This book helps to tell the history of photography, explaining what and how modernity, modernism and postmodernism is and influenced photography.  It helps explain for photography can and has been used to communicate ideas and how photography has developed in both the professional world and in the hands of the non-professional amateur / general-public with snap-shot photography which has gone full circle with snap-shop style photography adopted by the professionals.

A good book and with a useful guide to further reading in the back.

Reflections for Assignment I

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Shaun Mullins – 512659 – Photography 1 Context & Narrative – Assignment 1

I am pleased to blog that I received a good report for my first assignment for this course ‘Context and Narrative’.

This assignment was very similar to my last assignment for ‘The Art of Photography’ course which covered the subject illustration and narrative.  For that assignment I had to find or invent a story / narrative that I could produce photos for both as a book / magazine cover and to illustrate the story itself.  Having already researched a method of best practice to both prepare and carryout the work effectively, I put the same methods in to practice with this assignment – Namely, my brain-storming and storyboarding.

I took a risk when I decided to just used a mobile-phone as my only method of recording the images; but I felt I could create a better sense of authenticity for my particular story.  I found Clive’s comment that I had created a character for myself very interesting.  It hadn’t occurred to me.  Nor had I ever considered creating a character for myself.  Moreover, I would not have expected that by even having such an idea it would have made any positive contribute to the work.  However, this is a new dynamic for me and something I will consider further.

Coursework

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Clive’s comment on my coursework, is valid.  The exercise for street-photography didn’t go too well for me as I feel very uncomfortable just taking pictures in public like that.  Clive’s comment, “kaleidoscopic presentation of the street-photography and the dizzying angles.” is a fare comment as it was the result of my desperation to try and get some images of interest whilst working in an uncomfortable environment.  Maybe, in a capital-city or historical-town full of tourists it is much easier to work with a DSLR; but in small provincial-towns and villages you get a lot of negative reaction from people that borders on aggression.  To be honest this is not a field of photography that rocks my boat; but I will probably try again, I may book a street-photography course with Nikon and if working on my own I will prefer a more discreet camera such as that on a mobile-phone.

I am very grateful to Clive’s useful feedback and tips; I shall take them all on board.

Overall this assignment and this first section has been a very positive experience.

Exercise, Project 3- Street Photography

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In this exercise I am tasked to take 30 colour images and 30 black-and-white images in a street photography style and then comment on the two formats.  I prepared my shoot by first making a list in a small note-book of ideas for composition which helped motivate and provide aims and objectives.  I set about altering the settings in my camera for JPEG and familiarizing the setting between monochrome and colour.  I altered ISO settings from auto to manual throughout the shoot and I did the same for white balance and the shooting modes (manual, aperture-priority, shutter-priority).  I used just one lens a 24-120mm zoom f/4, hand-held, no flash.

Street photography

I am using a DSLR and would normally take my pictures in RAW and process them through Lightroom.  However, for this exercise I feel that to do this properly I must work as if I have only colour or black-and-white film in my camera.  Moreover, it would add to the challenge if I limit my shots to 36 each, the most from a reel of 35mm film.  So for this exercise I set my camera to JPEG, Fine, and made 36 images set to Monochrome and 36 images set to Colour – Vivid.

I find working with a DSLR on the street to be very awkward.  The camera is heavy and bulky and it is difficult to take candid shots because as soon as you lift the camera to your eye people become aware of you.  Moreover, I had an incident when a busy-body manager from the local Mall came out and tried to interfere with me working outside in the street but he backed down immediately when I told him that I knew my law.  I am sure that if I was using a smaller camera or a mobile-phone I would have been left alone and ironically would probably have been able to work in the Mall without anyone taking any notice.

Black and white

Out of 36 shots some I duplicated to get the correct exposure and some didn’t come out as I was experimenting with times exposures.

Colour

As with the black and white images, I made some duplicates to try to improve on the colour or composition.  I would have liked to have been able to have taken some of my colour images inside my local Shopping Mall to make use of the white balance feature for lighting effects but I was told that I wasn’t permitted to use my camera inside the Mall.

My preference has to be monochrome, I personally found this a more challenging and rewarding medium for this project.

Remaining monochrome images that made up my 36 image limit.

Remaining colour images taken that made up my 36 image limit.

Exercise, project 5, it’s a fake!

In this exercise, my task is to create a fake documentary photograph.  An example of what now has become a very famous if not iconic phoney is that of the Tony Blair selfie, see  http://www.theguardian.com/artanddesign/2013/oct/15/tony-blair-selfie-photo-op-imperial-war-museum

In order to conduct this exercise I first decided that rather than simply find pictures off the internet and blending them into a montage it would be fun to take a number of photos and create my own ‘constructed narrative’.

I first put down some ideas on paper, Ideas

from these I sketched out a couple of ideas, Sketches

I then chose from the sketches my preferred idea and as it was a single image I wrote out a rough storyboard.

Storyboard

I then set about preparing my set.  De-cluttering my kitchen, selecting various clothes to wear, additional lighting from a speedlite in a softbox and camera set on to a tripod.

I took a separate light meter reading using a handheld lightmeter that can measure ‘incident’ from flash and ambient to choose a setting for my speedlight and camera to give 30% from the speed light to keep a natural look.  Camera was set to manual, JPEG normal, W.B. – Sunny, ISO-250. 1/20sec, f/6.3.  Speedlight was connected via a Pocket Wizard and positioned left of camera approx. 45 degrees from subjects and I made some notes.  Storyboard

I usually photograph in RAW and use Lightroom to finish off; but as this was a montage I decided to let the camera save me the work and produce lower res imaged to work with.

I then loaded all these shots in to Adobe Photoshop Cloud and starting with the empty table and the background I loaded each image in turn using Open, select image to open and opening, Ctrl A, Ctrl C, Ctrl W, Ctrl V to add each image and create layers.  Then imaging if you will that the image with the empty table is at the bottom of the pile of layers, starting from the top layer and working down I then used the eraser tool to erase all the surrounding area around the subject or subjects introduced to the empty table until I had cleaned each up to only show the subject.  This I did by clicking on the eye symbol for all the layers I was not working on so when I used the eraser tool I was left with a chequerboard background.  When I had cleaned up all the layers except the last when I turned the eye symbols back on for each layer the subjects in each layer all started to appear on to the final untouched background layer.  Some final erasing in some small areas tidied up the full image.  I then flattened all the layers and resaved a JPEG version.

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A documentary picture documenting Shaun brainstorms ideas for a documentary picture for his exercise.