‘The Genius of Photography, How Photography Has Changed Our Lives’ by Gerry Badger, published by Quadrille Publishing Ltd.
This book was on my recommended reading list for ‘The Art of Photography’ course but I feel that much of the reading list for that course did not echo the syllabus and I did not choose to read it at the time, preferring more relevant books that could assist me in the exercises, subject matter and assignments. However, for this current course and for future courses this book has been more relevant and made more sense to me.
This book looks at the history of photography from a critical point-of-view as to it’s impact and development as an artistic practice. How it has been influenced and influenced the art movements of the 19th, 20th and now the 21st century up to 2007. Focusing on Photographers and examples of their work that have influenced the photographic art movement in their day from Daguerre to the unknown photographers using mobile-phone cameras for images that both informs and shocks the 21st century public.
Although much of the topics in this book have been covered in other books that I have already read, re-reading them will only re-enforce them to my memory and helps to plant ideas for future image making in to my sub-conscious.
Photography: A Cultural History, 4th Edition by Mary Warner Marien, published by Laurence King Publishing.
I have just finished reading Photography: A Cultural History that I began reading back in late May and have finally finished reading today. This book was very dry for me and I had to interrupt reading it by reading about four other books in the meantime. However, I have persevered and finished it. To be fair it is a good book all the same, as it tells a good comprehensive history of photography from conception to present day. This book explaining the influences from art, politics and national cultures that has shaped photographic practices throughout the world from the 1830’s to present day with details on photographers / artist with examples of their work that have been of influence.
Certainly a must read book for any photography student and I do now have a better understanding of Surrealism, Modernism, Postmodernism, etc. than I did before.
The artist Zoe Leonard and film-maker Cheryl Dunye collaborated to produce a project about a fictional American-African movie star called Fae Richards of the early 20th century and create an album of photographs charting her life and history from childhood at the turn of the 20th century through her glamorous carrier as a Hollywood movie star to her involvement with the civil-rights movement of the 50’s in to her old age.
The purpose was to question the truth of achievement and how history is recorded. To ask, who gets included in written histories and why? Who is left out and why? Who is in control of the information?
This is a cleaver project and required actors, carefully chosen costumes props and locations as well as authentic looking photography.
I have been reading this book whilst on holiday, in preparation for my next assignment, Reading Photographs, An Introduction to the Theory and Meaning of Images, by Richard Salkeld, published by Bloomsbury. This is part of a set of about x10 text-books that are very good and this appears to be last last one of the series for photography that I hadn’t read.
This book is divided in to 6 chapters covering the following topics:
What is a Photograph – Briefly covers the history from invention and marriage of chemistry and optics, through to the evolution of photography and its practice. Case-study.
Reading the signs – Briefly covers the theory of meaning, language, semiotics, ideology in an easy to understand way. Case-study.
Truth and Lies – Considers images reflecting truth in what is real, representation and reality, facts and fiction. Case-study.
Identity – Covers people and portraits, signifying identity, looking,the body. Case-study.
Big-Brother – The modern world, the bad, the mad and the other, surveillance society: and Panopticon (originally a 19th century idea to watch prisoners in a specially designed prison). Who is looking at whom? Public spaces – private lives. Case-study.
Aesthetics – Is it Art? What is art? Photography as art the history of an idea, into postmodernism. Case-study.
This is a very good and useful book to read, in fact I read it twice. An easy read and very well illustrated with profiles on key authors for further reading such as Roland Barthes and John Berger to name just a couple. I would strongly recommend this book and I am surprised that it is not listed as either recommended or essential reading for my OCA course covering Context and Narrative.
I have just finished reading this book which was on my courses list for recommended reading. Art and Photography has been edited by David Campany, published by Phaidon and covers the subject of contemporary photographic art from mainly the 1960s till the late 1990s. Campany has divided the book in to topics: Memories and Archives; Object object; Traces of Traces; The Urban and the Everyday; The Studio Image; The Arts of Reproduction; Just Looking; The Cultures of Nature. He begins his book by explaining what he means for each topic title with the theory and history. When I started to read this book I had read half way through this introduction section before I realized that it was best to read each part of the Introduction section along with the topic chapter itself as much of the introduction was referring to photos found in the relevant section in the book and reading the intro in conjunction with the section made more sense. Some of the artists are illustrated and discussed two or three times in different topical sections dependent if their work has crossed over.
A useful book for consulting for ideas and for reference.
I have just finished reading this book Photography a Concise History by Ian Jeffrey, published by Thames and Hudson. ISBN: 0-500-20187-0. This book was first published in 1981; so the history only goes up as fay as 1979 and is typically biased towards black-and-white images. I guess partly due to the attitude towards colour photography at that time and also most amateurs and artists who may be reading this book would have predominately been working in black-and-white anyway. Jeffrey sums up in the last lines of his book that he felt that American photographers were producing more diverse and interesting imagery than their European cousins at that time (1970s).
Interesting book for timeline of development of photography for mainly Europe and America the rest of the world is hardly mentioned. Early images are linked to the technical development of photography but this thread appears to be is lost by the 1920s and the development of the Leica. However, very little is mentioned about Japan’s development of cameras or examples of artists work using any. Interestingly by the time this book went to print most professional and amateurs were all using Japanese cameras.
Photography, by Stephen Bull, published by Routledge.
I have just finished reading this book as part of the required reading for my course and I found it inspirational for my current exercise Image and text as part of project 2, Part Two – Narrative. It has also provided me with ideas for my next Assignment. This book helps to tell the history of photography, explaining what and how modernity, modernism and postmodernism is and influenced photography. It helps explain for photography can and has been used to communicate ideas and how photography has developed in both the professional world and in the hands of the non-professional amateur / general-public with snap-shot photography which has gone full circle with snap-shop style photography adopted by the professionals.
A good book and with a useful guide to further reading in the back.