Tag Archives: layers

Tutor’s feedback for Assignment 3

My Tutor’s feedback was very good!  He liked my work!

Shaun Mullins – 512659 – Photography 1 Context & Narrative – Assignment 3 (1)

I went on holiday and had to wait until my return before I knew what he thought of my work and if I had to re-do any of it.

I was happy to learn that my assignment had been successful with only advisories that he suggested that I could do to improve the pictures.

I had complained that I could not obtain a true black-and-white with my Canon printer and that Canon was unable to help as they will always use the colours in the mix even for grey-scale only images; so Clive my Tutor has suggested that I deliberately add a colour cast similar in practice to Ansel Adams.  Clive suggests using a slight blue purple hint to the images and advised that this could be achieved using the Black-and-White feature in the Layers and ticking tint and clicking on the tint box to bring up the colour menu.  Type 257 as the value for Hue and 3% for saturation.

He also suggested some adjustments in Levels to improve the images.

Image 1# for example, Clive suggests that I darken the bottom left corner in order to prevent drawing the eye towards it.

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This is my new version which I hope is closer to Clive’s idea.

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This again needed more work, Clive notice a dark line at the top right of the image that I had missed and I wasn’t happy with the cross that I wanted in the image, it was too faint.

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This is with the new adjustments made in Photoshop using the cloning tool and the dodge-and-burn tool.

This next image Clive suggested the shadow behind Sarah should be softened for better separation.

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He is right of course and I think that this is a better version.

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Image 4# was a little too dark.

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This is the new adjustment.

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This was not my favourite image and I have struggled to improve it as Clive suggests.  I need more Photoshop experience.

Image 5# Clive complains that the composition is too tight with the edge of the box too close to the edge.

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Unfortunately I do not have anther photo that offers more space and this would require reshooting; so all I can do is add the tint.

Image 6# Clive complained was too dark.

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I hope that this is an improvement.

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Adjustments made in Photoshop, Layers, Levels.

Image 7# This image Clive felt was okay.

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I have just altered the tint.

Image 8# Clive suggested that the background was similar in tone to the hands.

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This is my new version.

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The last image that Clive critiqued was both for composition and exposure.  My hand should be more central and the focus of the picture and my shoulder is too bright, so drawing the eye away from the subject.

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My solution was to choose another image and make some adjustments in curves in Lightroom before finishing in Photoshop.

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This I hope is better.

 

 

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Research point -Kaylyn Deveney, The Day-to-Day Life of Alfred Hastings

thZKTIBUL4 Photograph by Kaylynn Deveney.

http://www.bing.com/images/search?q=kaylynn+deveney&view=detailv2&&id=F09663C9697BE7CF957465C053E9D4E5E031D1A9&selectedIndex=0&ccid=VSJLX6U0&simid=608053287080035439&thid=OIP.M55224b5fa534123d0bd481c4048f7a6ao0&ajaxhist=0

The project, The Day-to-Day Life of Alfred Hastings by Kaylynn Deveney is a good example of Postmodernist art. Deveney has taken the idea of making the ordinary, banal moments in her neighbour’s life as the subject of her project.  Deveney is looking at her neighbours habits and routines in a fresh respective and by asking Mr Hastings to add his own captions to her photographs of him and his home new meanings are added to the pictures that give it a more intimate / personal, insider, style than if she had simply added her own.  This I think was a cleaver way to add more layers to this work.  This project is similar to ‘Objects in the Field’ in so much as the author (Deveney) writes about her experience working with Hastings and her personal observations.  However, in this instance I believe the artist was more successful in building a good relationship with her subject and was able to share a mutual vision. The reason for this I believe was that they had more in common with each other and the photographer did not have to make as much of an effort to find common ground. Mr Hastings wrote poetry and his love of flora and fauna suggests a man more open to artistic and visual ideas and arts that proved both useful and helpful as Mr. Hastings helped Deveney develop her ideas with his helpful comments and clearly a good partnership developed that appears to have been missing from Rickett’s relationship.

 

Exercise, project 5, it’s a fake!

In this exercise, my task is to create a fake documentary photograph.  An example of what now has become a very famous if not iconic phoney is that of the Tony Blair selfie, see  http://www.theguardian.com/artanddesign/2013/oct/15/tony-blair-selfie-photo-op-imperial-war-museum

In order to conduct this exercise I first decided that rather than simply find pictures off the internet and blending them into a montage it would be fun to take a number of photos and create my own ‘constructed narrative’.

I first put down some ideas on paper, Ideas

from these I sketched out a couple of ideas, Sketches

I then chose from the sketches my preferred idea and as it was a single image I wrote out a rough storyboard.

Storyboard

I then set about preparing my set.  De-cluttering my kitchen, selecting various clothes to wear, additional lighting from a speedlite in a softbox and camera set on to a tripod.

I took a separate light meter reading using a handheld lightmeter that can measure ‘incident’ from flash and ambient to choose a setting for my speedlight and camera to give 30% from the speed light to keep a natural look.  Camera was set to manual, JPEG normal, W.B. – Sunny, ISO-250. 1/20sec, f/6.3.  Speedlight was connected via a Pocket Wizard and positioned left of camera approx. 45 degrees from subjects and I made some notes.  Storyboard

I usually photograph in RAW and use Lightroom to finish off; but as this was a montage I decided to let the camera save me the work and produce lower res imaged to work with.

I then loaded all these shots in to Adobe Photoshop Cloud and starting with the empty table and the background I loaded each image in turn using Open, select image to open and opening, Ctrl A, Ctrl C, Ctrl W, Ctrl V to add each image and create layers.  Then imaging if you will that the image with the empty table is at the bottom of the pile of layers, starting from the top layer and working down I then used the eraser tool to erase all the surrounding area around the subject or subjects introduced to the empty table until I had cleaned each up to only show the subject.  This I did by clicking on the eye symbol for all the layers I was not working on so when I used the eraser tool I was left with a chequerboard background.  When I had cleaned up all the layers except the last when I turned the eye symbols back on for each layer the subjects in each layer all started to appear on to the final untouched background layer.  Some final erasing in some small areas tidied up the full image.  I then flattened all the layers and resaved a JPEG version.

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A documentary picture documenting Shaun brainstorms ideas for a documentary picture for his exercise.