Tag Archives: locations

Tutor Report for Assignment 5

shaun-mullins-512659-photography-1-context-narrative-assignment-5

I have just received my Tutor’s report for my last assignment for the Context & Narrative course and I am both pleased and relieved that my Tutor liked it and has given me a good report.

He comments that I didn’t mention if I used a tripod.  This was an oversight in my blogging, as I had used it and I listed it as the equipment used but obviously I did not make it clear that the camera was mounted to the tripod for all my shots.

When setting up for the shoot, I reasoned that by mounting the camera, it would slow me down and help control the framing of the picture and although I didn’t consider it at the time it was important in order to be able to merge more than one image through Photoshop, if required.  Which in fact was the case.

I feel that although I achieved what I set out to make, I still felt that picture wasn’t quite as good as I hoped.  I struggled with the framing as the camera was fixed; and my dog was not, which caused problems getting all the elements in the right place.  Perhaps I should have set the camera up a little further away or set the zoom to a wider angle for greater flexibility when cropping.  However, I was working at my second choice of locations due to circumstances beyond my control and time had been wasted trying to get access to my first location choice, leaving me less time to work.  All in all, I made the best out of a non-ideal situation and I am fairly happy with the final picture if not ecstatic.

 

 

The Fae Richards Photo Archive

http://www.archivesandcreativepractice.com/zoe-leonard-cheryl-dunye/

The artist Zoe Leonard and film-maker Cheryl Dunye collaborated to produce a project about a fictional American-African movie star called Fae Richards of the early 20th century and create an album of photographs charting her life and history from childhood at the turn of the 20th century through her glamorous carrier as a Hollywood movie star to her involvement with the civil-rights movement of the 50’s in to her old age.

The purpose was to question the truth of achievement and how history is recorded.  To ask, who gets included in written histories and why?  Who is left out and why? Who is in control of the information?

This is a cleaver project and required actors, carefully chosen costumes props and locations as well as authentic looking photography.

Project 3, Exercise.

In this last project of this section, I have looked at the concept of creating images that convey a sense of the unseen, for example feelings and emotions.  I have already started to think about this form of art with my last exercise of creating images for a  poem and this project is moving this theory forward in to use of every day life and personal experiences.

I have been introduced to three different projects by photography students as examples of creating images out of the unseen.  The first is by Peter Mansell (My Space) who has taken photos of objects and even of empty spaces that represent his disability and his life.  I very much like these simple but well thought out and composed images.  I got a very real sense of his visits to the hospital and Peter’s life at home.

The second project is by Dewald Botha (Ring Road) I liked the interesting perspective and sense of being on the outside.  The timing of the photos suggest early morning with a cold mist and overcast looking skies this could of course just be smog but it evokes a sense of cold and the unusual locations of not belonging almost like trespassing.

The third project is by Jodie Taylor (Memories of Childhood) the link for this only illustrates three photos but I was able to understand the sentiment and sense of nostalgia as we see these places of her childhood.  I think that all of the photos from all three projects are cleverly conceived and nicely composed.  The project that resonates most with me was Dewald Botha’s, ‘Ring Road’.  I have been in sales for much of my life and I was a Territory Sales Rep. I was working from home; so I was always a little bit of an outsider even with my own company as I would only visit their offices for sales meetings and training days.  I have often found that we set boundaries for ourselves in both our professional and personal life and boundaries is the subject that Botha explores.  I often used the M25 to travel to all compass points of my sales territory and his choice of subject matter struck a cord.

Authorial Control

This concept of loss of authorial control doesn’t mean a lot to me.  The point of creating an image, sculpture, music or literature is to express your ideas in to something of substance; but how other people choose to interpret the work is up to them.  Hopefully if you have done a good job the meaning of that idea is obvious and will be experienced as you intended it to be.  (Unless the idea was to be deliberately ambiguous and to enjoy watching others make interesting interpretations.)  A photograph can be easily re-used re-labelled and re-contextualized and perhaps as students and later as photographers we will do this to other peoples work and one day others will do it with ours.  That’s life.  Moreover, if a photographer is employed by a magazine then that employer must have rights over the editorial decisions.  A wedding photographer on the other hand has more control; but at the end of the day the Bride and Groom can always re-frame the pictures and add their own captions etc.  In my opinion it’s not worth loosing our hair over this idea of authorial control.

 

My first fashion style photo-shoot

1000 Poses

Yesterday I had my first pre-arranged photo-shoot using a model from ‘Model Mayhem’  This was the first time that I have done a photo shoot that wasn’t involving friends or family and wasn’t run through a third party such as the Nikon School.

about a year ago I signed up to Model Mayhem a social website for models, photographers, stylists, etc. to interact.  However, only more recently have I felt confident enough to try to arrange a photo shoot with strangers.

The experience was very good and positive.  I came across a young lady who had signed up as a model looking for photographers who would be happy to work with no financial reward or cost but trading modelling for photos.  After initially getting in touch with her through the Model Mayhems own mailing system and the follow up correspondence I discovered that she was looking for a photographer who could produce corporate style images for her website as a Nutritionist.   The arrangement is perfect, I have a model who can help me build my portfolio and confidence without the pressure of monetary value and I am also providing her with valuable images to promote her business.

She informed me that she ideally needed a kitchen for the location and so I offered the use of my own kitchen which is large and traditionally appointed.  Moreover, not having met her nor her having met me I suggested a Saturday when my wife was around who could also help with makeup etc.

This appealed to her and we exchanged photographic ideas and arranged the date, I also suggested that she leaves putting on makeup until arrival to allow flexibility and avoid over doing it.

Last year I purchased a book on model poses, Photographing Models: 1000 Poses, by Eliot Siegel, published by Bloomsbury, that I am now starting to use as reference material. The first chapter covers preparation including camera angels, creative cropping, lighting, styling, putting your subject at ease. Basic stuff but useful and  nicely to the point.  Two best tips for me was on the best camera angels for this project and best lighting position to use.

My wife helped her with the makeup and was able to help with costume and also provided some costume jewellery that complimented the clothes. We spent most of the day shooting and I have sent her low-res images to select that I will then work on for making good for her website.

Now we have worked together and now know each other I look forward to more photo-shoots both here at home and abroad in locations locally and maybe even further afield.