Tag Archives: picture

The Adobe Lightroom CC / Lightroom 6


I have just read this book for a better understanding of Lightroom.  I first discovered Lightroom when I took up photography again and began to learn about the art of digital photography.  After a bit of research I purchased Adobe Photoshop Elements and got the basic principles of how it worked but I struggled to understand the connection of Adobe Bridge and I only understood that Adobe RAW was to be able to read my camera’s RAW files and nothing more.  I then came across Lightroom read the reviews and decided to try it.  It seemed to do all the things I needed and it didn’t need Adobe RAW however, I was a little confused as to why and Adobe had made it and where it sits in the workflow for a professional.  I found Lightroom easier to understand and use; so I have found it my best programs for photo editing.  Talking to other serious photographers, it appears that they all tend to use it more than Photoshop, which has been kept for just more extensive and complicated editing, as when required.  This book co-oberates this idea as the intention of Adobe to create a more user friendly photo editing package and also recognising that not all photos will want or need extensive editing and also the feather in the cap of this software is the batch editing capability for commercial photographers who will need to do basic adjustments to RAW images for straightforward output.

However, Photoshop is much more than just an editing suit it offers photo management tools that allows you to archive and retrieve your photos in lots of different ways; so you can cross file your images and retrieve them using all sorts of methods from date, location, camera, lens, or search words.  Lightroom is also compatible with Photoshop and an edited picture can be exported to Lightroom for further editing.  This is a very good book to read it is 700 pages of detailed information and I would highly recommend reading it and keeping it handy on your book shelf.



Formal Assessment for Assessment II, 9x items, labeled 1 – 8a and 8b

For this assessment, taking on board my Tutor’s comments I took two new photos one for image to simply change the composition from portrait to landscape for consistency and I changed the last image for a strong picture.  I also reprinted all the images using my Tutor’s suggestion of adding a little lilac to the Hue as I was unhappy with the colour cast I appeared to be getting as I couldn’t get a perfect black or grey.  This intended Hue is very subtle and I like the result.

Included in the folder is my Tutor’s report Shaun Mullins – 512659 – Photography 1 Context & Narrative – Assignment 2  a printed copy of the anchoring text for each image  marked 8a the-unseen and my 300 word introduction marked 8b redundant-reflections and the photos.


Dodge and Burn

Further to comments made by my Tutor, I have used the Burn feature in photoshop to reduce the highlight area to the left of the picture that my Tutor suggests pulls the eye.





My skills with Photoshop are still very basic and a thorough scrutinisation of the brick work will quickly reveal the work I have done with the ‘Healing Brush’.  Although I hope that no one is going to look too closely at the brick work.


Alternative images as per my Tutor’s comments.

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This is my new alternative presentation from my original work for assignment 2 based upon my Tutors comments.

My Tutor commented on two images that he felt should have been composed in landscape to be consistent with my other images and he felt that the last image was weak in comparison the the rest.  I have therefor re-shot to offer better alternatives.

The first was referring to my dog and this was the original portrait version.



D-800e, 24-120mm f/4 @ 120mm, 1/20 sec, f/8, ISO-320, daylight W.B.  Adjustments made in Lightroom to convert to black-and-white and then image tinted in Photoshop, Hue 257, Saturation 3.

This new version composed in landscape photographed in RAW and converted to black-and-white in Lightroom and tinted in Photoshop.

This next image Clive felt was weak.


Clive’s two objections were that again it has in portrait and he felt the colour was at odds with the black-and-white theme of the other images.

I  can not re-do this picture to landscape as time has moved on and this bud has since flowered and gone.  Furthermore, I was never one-hundred percent happy with it anyway, as I had struggled to come up with a better idea for an image.  However, I have recently had a new idea that I like….


As you can see I have sketched out my idea of an image of myself suited and booted shaking hands with another suited and booted person whilst discreetly crossing my fingers.  I want this image to denote a business meeting or interview and connoting a message of hope and optimism for the future.  I set the camera up on a tripod, used one speedlight in a soft-box controlled remotely by Pocket wizards.  The camera was set to manual and manual focus and tethered to my lap-top for picture control, I also used a separate Sekonic lightmeter to meter the flash.


D-800e, 24-120mm f/4 @ 120mm, 1/125 sec, f/6.3, ISO-125, flash used, daylight WB.  Adjustments in Lightroom to black-and-white and colour tint adjustments made in Photoshop, Hue 257, Saturation 3.  On reflection of this picture, I now consider that a second light would have been in order, set in front of me and to the left to help separate my right arm from the background.  I could mess about in Photoshop to get better separation; but for this exercise I wont.

Using Clive’s suggested tinting I have produced new tinted versions of the rest of the black-and-white images.  The originals are on the left and the new tinted versions on the right.

_DSC9085-resized  Resized-New_DSC9085

_DSC9122-resized  Resized-New_DSC9122

_DSC9250-a-resized  Resized-New_DSC9250-a

_DSC9683-resized  Resized-New_DSC9683

_DSC9744-resized  Resized-New_DSC9744


Tutor Report for Assignment 5


I have just received my Tutor’s report for my last assignment for the Context & Narrative course and I am both pleased and relieved that my Tutor liked it and has given me a good report.

He comments that I didn’t mention if I used a tripod.  This was an oversight in my blogging, as I had used it and I listed it as the equipment used but obviously I did not make it clear that the camera was mounted to the tripod for all my shots.

When setting up for the shoot, I reasoned that by mounting the camera, it would slow me down and help control the framing of the picture and although I didn’t consider it at the time it was important in order to be able to merge more than one image through Photoshop, if required.  Which in fact was the case.

I feel that although I achieved what I set out to make, I still felt that picture wasn’t quite as good as I hoped.  I struggled with the framing as the camera was fixed; and my dog was not, which caused problems getting all the elements in the right place.  Perhaps I should have set the camera up a little further away or set the zoom to a wider angle for greater flexibility when cropping.  However, I was working at my second choice of locations due to circumstances beyond my control and time had been wasted trying to get access to my first location choice, leaving me less time to work.  All in all, I made the best out of a non-ideal situation and I am fairly happy with the final picture if not ecstatic.




Assignment 5 – Making it up

Club Class

from an original story by: Earl Hamner Jr.


A Traveller and his best friend were walking along a road they were both dead; and looking for somewhere to rest.

Eventually, they came to a high stone wall along one side of the road.  Set in to the wall was a tall arched open door.  Standing in the doorway was a smartly dressed, attractive, young lady.  The Traveller greeted her and asked her where they were.

“Why, this is Heaven!” She replied.

“Wow!” the man replied and they both proceeded to enter.

But the young lady stopped them and said, “I’m sorry, but we don’t accept pets.  There is a place for your dog just up the road, leave him with me and I will take care of him.”

The Traveller thought for a moment and unable to leave his friend outside he decided to continue his journey along the road.  Further along they came to a gate that stood alone, with neither a wall nor fence attached; and it looked as if it had never been closed, he saw a man behind the gate, leaning against a tree, reading a book.

“Excuse me!” called the Traveller. “Do you have any water?”

“Yes, there’s a pump over there, come on in.”

“How about my friend here?”  (Gesturing to his dog).

“You should find a bowl by the pump.”

They went through the gate, and sure enough, there was a hand pump with a bowl beside it. The traveller filled the water bowl for his friend before taking a long drink for himself.

When they were finished, the Traveller asked the ‘Gateman’,

“What do you call this place?”

“This is Heaven,” he answered.

“I’m confused,” Protested the Traveller. “The young lady down the road said that that was Heaven, too.”

Shaking his head sadly the ‘Gateman’ replied, “Oh no!  That’s certainly not Heaven! That’s the gate to hell!”

“But can you not do something to stop her tricking people in to entering hell?”  Demanded the Traveller.

“No!  We’re just happy that they screen out the folks who would leave their best friends behind.”  He replied with a wry smile.


So much for the contextual narrative!  What do we see?

A man stands in the foreground holding a dog on a lead, whilst gripping a walking stick with the other hand.  He’s looking at the dog that’s looking back, he’s dressed in a suit with a Yorkshire cap; both he and his dog are drained of any warm colours with a distinct cold blue hue tone as is most of the image.  In the background we see a sign indicating no dogs on a wall by an open door, inside the doorway we see a smartly dressed young woman, she appears to be pointing or wagging her finger, her mannerism implies a negative signal and her legs crossed emphasizes this negative message.   She appears to be illuminated by very warm amber light and a red halo rims around her head.

My intention for this image is to create a division between the outside world of the Traveller and his dog with the world beyond the door in which the women stands.  To achieve this I used the white balance settings of my camera, gelled speedlights and made additional enhancements in Lightroom.  The Traveller is between worlds, it is cold.  He and his dog are both dead and I wanted their shades to reflect this.  The young lady on the other hand is standing somewhere that is very warm and I wanted to convey this; I also wanted to hint at danger using rim lighting.

There is another message in this picture, one of temptation.  The young lady represents the fetish pleasures of capitalism; her sexuality is to tempt the man away from his moral values.  The price for this implied promise of luxury and pleasure is that he must be selfish and turn away from anything that could hold him back.  His dog represents his values and socialistic principles of loyalty, trust, responsibility and selflessness.

I didn’t want to create an obvious ‘Lucifer’ therefore I thought that a sharp dressed business woman would act as a suitably modern metaphor for him/her.

When creating this image, I tried to keep in mind Barthes idea of studium and punctum.  The Traveller and dog is part of the studium of the picture punctuated by the warm coloured image of the attractive women (the punctum).  I wanted to carefully construct a single image to project my intended narrative.

This was a particularly tricky picture to make when depending on the unreliability of a dog and using non-professional models.  Further complication was that my chosen doorway was unavailable to me due to a lost key.  The location I chose happened to be my local church which had the ideal doors.  I obtained permission from the Vicar however, on the appointed day the Vicar had taken his wife away for her Birthday and not informed anyone of our arrangement.  No one had the key to my chosen Choir Vestry door; so I had to use a fire escape door instead.  This side door was exposed to the wind and also needed to be wedged open and in the process of the shoot I dropped an expensive speedlight that bounced and although remained serviceable may now need to be serviced by Nikon.  I was unable to get the perfect shot as either the speedlights failed to fire at the perfect time or the dog kept moving around and directing my models is still a new experience.  I ended the afternoon feeling low as I thought that I had failed to get a suitable image.  I gave myself a couple of days space and looked again and I was pleased to find some images that I could collage together to make one suitable picture in Photoshop.

I enjoyed making this image and although it may not have a great wow factor, I am pleased that I was able to achieve my vision.  I would like to make more images based on a narrative theme in the future, perhaps using novels biblical stories, sagas, legends and songs.


Creating Assignment 5

I arranged with our Vicar to take the photos on Sunday, October 17, which was also a convenient day for my two models.  After the last service the church would be free and I would not be in anyone’s way or be interfering with church services.  I made sure all batteries were fully charged, and I made up the light-boxes in preparation for a quick set-up.  I always take photos in RAW and having experimented at home with both lighting and white balance I decided to manually set the white balance on my camera to the lowest colour temperature for maximum effect (2500K).

The equipment for the shoot consisted of:  Nikon D800e, 24-120mm f/4 zoom lens, Tripod, Sekonda lightmeter, Pocket Wizard TT1 and AC3 controller mounted to the camera, 3 x Nikon speedlights controlled by 3 x TT5 Pocket Wizards, 1 x amber gel, 1 x red gel, 1 x dish reflector, 1 x 120 x 40 long rectangular soft-box, 1 x large square soft-box, 3 light stands with tilting brackets, 1 x large black flag / reflector.

Props:  ‘No Pets’ sign (sticker mounted on a white board and stuck to the wall by the door using double sided sticky pads.  My pet dog Honey on her lead, walking stick to imply their journey.

Costume: Business suit for Ann-Marie, County suit for Graham.

The lights were configured as follows:

In side the church I set up a speedlight with a TT5, gelled red and a reflector dish attached then mounted this assembly to light stand and positioned behind my female model (Ann-Marie) at head height in order to create the red rim-lighting.  I then used a speedlight with a TT5 and an amber gel with the 120 x 40 soft-box to illuminate the whole body length of Ann-Marie.

As the weather was overcast, I needed to use the large soft-box un-gelled to illuminate my second model (Graham) with my dog (Honey).  This was fitted to a light stand and stood to the left of the camera above the height of Graham and angled down.


This test shot illustrated my lighting and you can just see the edge of the rectangular soft-box top right corner of the door above and behind Ann-Marie.

However, the shoot didn’t start as planned.  The Vicar was not around as I later discovered that he had gone away with his wife as it was her Birthday and he hadn’t mentioned my photo shoot to anyone.  I was able to arrange for a volunteer to return to the church after lunch to open it up for me for my photography; but the next problem was when I returned at the appointed time and the church was opened for me we could not find a key to the Choir Vestry (the door I had chosen for the shoot) so I had to use an alternative door that was accessible which was a fire-door on the side of the church.  This presented two new problems firstly I was exposed to the wind which was a little gusty and behind this door which was close to the alter an large stage was set up for the 11am services with musical instruments.  The door wouldn’t stay open and we had to find something to wedge it open that I later had to remove in Photoshop.  The door itself was a fire-door and again these handles would have to be erased and the background behind Ann-Marie would also need altering in Photoshop.

On setting up the lighting I managed to drop an expensive Nikon speedlight on to the stone floor, luckily it still worked but something appears to be loose inside; so I will no doubt have to send it off to Nikon for servicing.  My wife had to hold the large soft-box to stop it from being blown over and Honey was naturally restless.  The other problem was that the speedlights needed lite to recycle; so didn’t always fire with each shot taken.  This is where more expensive studio lights prove superior but at this moment in time I can not justify the investment.

I directed Ann-Marie to stand just inside the church door with the rectangular soft-box directly opposite her and the red gelled light hidden behind her head and holding up her hand to indicate the signal to stop and then to waggle her finger to convey the same message.  I also directed Graham to for two types of pose the first look thoughtfully at the dog and the second to be looking towards Ann-Marie for comparison.  I had to make various adjustments to positioning of the two soft-boxes and power output which eat into the time. We were only able to work for two hours before the weather threatened rain and we had to stop and I was feeling a little frustrated and low as I felt that I hadn’t been able to find the picture.

On returning home I transferred the photos to my computer but then left it for a couple of days before properly looking through them in Lightroom.  When I returned to my work I found that I had taken 290 photos and after spending some time comparing the images I was able to select a six images that I felt that I could merge together to make one suitable picture.

I then selected which images would be suitable for Graham and Honey and which would be suitable for Ann-Marie, I then made the appropriate adjustments in Lightroom to enhance the cold or warmth make any-other fine adjustments before exporting to Photoshop.  In Photoshop I then had to remove the unwanted artifacts from the pictures such as the item used to wedge the door open the fire-door handles and the staging behind Ann-Marie.  When the images were sufficiently ‘cleaned-up’ I merged the two to create my final picture.  As it happened only one image of Graham with only one image of Ann-Marie worked as suitable matches, due to the positioning of Graham and where Ann-Marie was looking; but I had what I was originally looking for which was a moment of decision from the Traveller as the doorman is advising him that he must enter alone.  I was pleased that this image also provided a great expression from Honey as she looks back at Graham.

 24-120mm f/4 @ 38mm, 1/125, f/5, ISO 125, WB 2500K.  Adjusted in Lightroom.

24-120mm f/4 @ 38mm, 1/125, f/5, ISO 125, WB 2500K.  Adjusted in Lightroom.

From these six images only two worked together.