Camera Lucida, by Roland Barthes, (2000) London, Vintage Classics, ISBN: 9-780099-225416.
Barthes examines, photography, what photography is, and how it works as a medium for art, commercial, social and private use. This is an important book to read, unfortunately it can be a little hard to read, perhaps because of the translation and Barthes academic language; but worth persevering with.
- Barthes classifies photos as either, ‘Empirical’, (Professional / Amateurs) ‘Rhetorical’ (Landscape / Objects / Portraits / Nudes) or ‘Aesthetic’, (Realism / Pictorialism).
- A photograph is never anything but an antiphon (chant) of, “Look see,” “Here it is.” It points a finger at the relationship it hold, it can not escape its denoted meaning. (page 5).
- A photograph never distinguishes itself from its referent (what it represents).
- A photo is a ‘signifier’
- Barthes identifies two elements to a picture that is needed to make it interesting and he named them ‘Studium’ and ‘Punctum’. Words he has taken from the Latin language. ‘Studium’ is the general pleasing or good composition of the picture and Punctum is an element that punctuates through the image, an element that ‘pricks’ / creates an emotional response of some kind. (Page 25 – 28.)
The one thing that I got but didn’t fully realise until now is his idea of studium and punctum, a fellow student helped me with this when he posted a link to a good video explaining this theory. https://phlearn.com/punctum-better-image