Tag Archives: Reflections

The art of mosaics

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I have just completed a one day mosaic course with an artist called Jane Visick based in Hitchin in Hertfordshire.

It was a great experience and something I believe that I can incorporate with my photography.  Jane works with all kinds of materials, glass, ceramic, stone, metal, gems, plastics, resins practically anything you can cut up and glue down.  She mosaics floors pots,  walls anything and anywhere.  I want to use my photography to inspire ideas for images to mosaic.

The course consists of a practical workshop in which the student will have made a small mosaic to take home the course is for 1-3 and I was in fact her only student for my day with her.  During my initial conversation I suggested that I send her some ideas for my mosaic and for her to advise which if any was suitable to be completed in a day.  I looked through my photo library and offered up these images.

Jane suggested that all the fish and the flowers were possible and I decided upon a fish image and this was the chosen image to use for my mosaic.

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This was a blown up section of a larger picture.  All the fish pictures were taken using my Nikon D-800e 24-120 f/4 with an attached polarizing filter and the aid of a speedlite.  I chose this image for its movement colour and shape made by the water.

On arriving Jane briefed me on the tools and materials she used and books to read an in fact by coincidence her best book to recommend that I obtain, I had already placed on order through Amazon.

The Art of Mosaic

We began by deciding on the materials to use and glass was the decision and she then showed me the Technics of cutting glass to shape.  We then took my printed photo and laid it with a layer of carbon-paper on to the chip-board base to wish I was going to mosaic and using a pencil I drew around my fish and areas of different colours pressing so that the carbon paper below marked the chip-board with my desired design.  Removing the photo and paper I now had my design to mosaic.  We then selected the coloured glass and I began cutting up the glass until I had about a dozen small pieces to start choosing and gluing.

I was surprised to get the mosaic finished by the end of the day with only the grouting left to do and Jane provided me with a bag of grout to take home and this is the final result of my labors.

For a first effort I am very pleased and encouraged.  The mosaic was photographed on the floor inside a homemade light-tent of tracing-paper rolled in to a cone shape with the camera mounted on a tripod above and illuminated by three speedlights operated by infrared controller mounted to the camera.  the green glass is a stain-glass and is a mix of green and a white opaque which was perfect to represent the water of a pond. I chose to use a light-tent to create an even lighting without any annoying reflections.  I am pleased with the result as it is a good reproduction of the actual mosaic.

 

 

 

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Strange and Familiar and The Unseen City

This linked photo is by Cas Oorthuys, titled ‘Black Oxford Students, Oxford, 1962’.  From the Strange and Familiar website exhibition at the Barbican.

Yesterday I visited two exhibitions currently being held in London curated by Martin Parr. The first exhibition that I visited was displayed in The Barbican and was called Strange and Familiar.  This was on two floors and exhibited the work of over twenty photographers who had visited the UK and photographed the British people as they saw them.  These images covered a period from the 1930’s up to present day and looked at British life different angles of social and political points of view.

The Artist’s work on display:

Edith Tudor-Hart, coming to England in the 1930’s a devote Communist she took an interest in the social and political life of the English contrasting the haves and have-nots in her photographs.

Henri Cartier-Bresson, Cartier-Bresson first came to England to photograph for the Coronation of George VI and later for the Queen’s Silver-Jubilee and captured images of the British and their relationships with the monarchy.

Robert Frank, visited England in the early 1950’s before his famous ‘The Americans’ project and spent some time in London observing the life of the City and the world of the Bankers and then travelled to Wales and stayed amongst the Welsh mining community of Caerau where he felt more at home at photographed their daily-lives, visiting the coal-face as well as seeing their social-life.  Frank was made to feel more at home in the Welsh community than he did in the City and his photographs reflect this in his views on London as seen as an outsider and his views of his Welsh hosts that have invited him in to their homes and their community and his images reflect that of a view from an insider.

Paul Strand visited the UK in the 1950’s and spent sometime living with crofters in the Outer-Hebrides of Scotland and like Frank was able to take photos from the privileged viewpoint of an insider.  Strand’s particular interest and theme to many of his photographs during this project is texture, shapes and patterns.

Cas Oorthuys visited the UK in the 1950’s and photographed the daily-life of austerity for the English and including photos of the first Caribbean immigrants to England and his photographs of Black Afro-Caribbean students at Oxford reflecting the cultural diversity that was developing in the UK during the 1950’s and 60’s.

Sergio Larrain Visited England in the 1950’s in these images I notice his use of design, lines, angels, patterns frames within frames and reflections.

Gilles Peress, visited the UK in the 1970’s and photographed the troubles in Northern-Ireland.  Working in black-and-white he records the Orange marches, street scenes aftermath of riots and murders with a compositional consideration to design, and texture.  His images contrasted from the violence and misery of the working-class Northern Irish to the ordered and gentile life the privileged playing cricket or fox-hunting.  My favorite image amongst Peress’ work was a picture of a child being slapped by her mother with the TV in the background with a shocked looking child staring open-mouthed from the screen.  Peress used a slow enough shutter speed to provide motion–blur for the mother and child whilst fast enough to have a sharp background.

Akihiko Okamura is a Japanese artist who visited the UK in the late 1960’s early 70’s and recorded his time in Northern-Ireland in colour photographs surreal images of ladies preparing tea and biscuits in the middle of a street with burned-out houses in the background and shrines made to victims of the riots.

Garry Winogrand came to the UK in the 1960’s and recorded the London street scene of the ‘swinging 60s’

Candida Hofer like Winogrand Hofer came to England in the 1960’s and spent time in Liverpool recording the street scenes of Liverpool’s 60s era.

Evelyn Hofer used a large format camera to slow the process down and take photos of people and place in 1960’s London.

Bruce Davidson An American photographer who visited England in the 1960’s taking street photography in London and Wales with an interest in the poor and destitute.

Gian Butturini Butturini is also know as a film director but in the 1960’s Butturini photographed the London scene from street to Rock concert and contrasted with the political troubles in Northern-Ireland.

Frank Habicht Habicht’s images are of the young ‘hip’ London scene of the late 60’s.

Hans Eijkelboom visited the Bullring in Birmingham and with a concealed camera photographed people as the passed by him at the centres main entrance.  He has studied how people dress alike and how he has been able to catagorize people by their clothes.  For example he grouped images of people wearing the same or similar garments such as striped or spotted dresses, flowery beach style shirts, Adidas advertising T-shirts, boob tube tops, etc.  He cleverly transitioned one category to another by selecting couples that were dressed in the two categories he was switching from and to this must have been produced over a long period of time.  This project questioned peoples sense of individualism as clearly a large percentage of people dress alike; so perhaps as not to stand out and lacking of imagination.  Many looked like they were mimicking the manikins in shops or copying the models in the lower end clothes catalogues.

Bruce Gilden using a wide angled lens and cropping tightly Gilden has produced some strong unflattering portraits of people living on the streets or down on their luck that he has come across on the streets of Glasgow.  The wide angle lenses have almost caricatured them by lengthening their faces and ugly-fying them.

Hans Van-Der-Meer is a Dutch photographer who came to England and was influenced by the old Dutch landscape masters and used their style in his choice of viewpoints when photographing British amateur football matches by making use of the large space with the players small in the frame.

Raymond Depardon worked in Glasgow around the early 1980s photographing a declining city as the factories closed.  These pictures in colour capture this depressing period in Britain’s history.

Rineke Dijkstra has used a large format camera.

Tina Barney again using a large format camera she has taken portraits in the style of the old master painters.

Axell Hutte visited London and took an interest in the architecture of the post war social housing developments, many of which have declined and since been re-developed.

Jim Dow an American photographer who spent some time in England in the early 1990s Dow took an interest in British small shops as seen from both inside and out.  Many of these shops were already in decline when he was photographing them and as this decline continues these images are fast becoming things of nostalgia.

Shinro Ohtake captured images of Britain in the year of the queens Silver-Jubilee of 1977 with some interesting views of the British as seen from an outsider.

This linked image is by Martin Parr from his collection of photographs of the unseen city.

The Unseen City photographed by Martin Parr http://www.bbc.com/culture/story/20160301-unseen-city-martin-parr-reveals-the-square-miles-secrets

The second exhibition was displayed at the Guildhall Art Gallery and was called The Unseen City, photos taken my Martin Parr of events involving the Guildhall such as The Lord Mayor’s Show.  These colour images offered an exclusive behind the scenes view of the prestigious events that annually take place at the Guildhall.  Parr captured candid shots of the organizers, patrons and staff as they went about their preparation and participation of events such as the swan upping and Lord Major’s show, the unseen side of these public and exclusive events.  I thought that these images were a good representation of a viewpoint seen from an outsider, an invited guest, whom, finding the whole scenario strange sees much more than his hosts and captures it in his camera.

I found the two exhibitions complemented each-other as their underlining theme was what is British-ness?  This second exhibition contrasted to the first as this showed a hidden side to the British that is usually closed to both photographers and most of the British.  A Britain representing the world of the elite and privileged ruling-class, this is an unelected class, Bankers and Lords that quietly work behind the scenes of British Politics and who ultimately pull the strings.

 

 

Assignment II – The Unseen

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 The Unseen

 

I HAVE RECENTLY BEEN MADE REDUNDANT……

I have found that companies are generally now looking to recruit from a headhunting point of view with candidates having to bring customers, and business contacts with them.

Eventually I found another job in a new industry, the learning curve was steep.  I spent a lot of time away from home travelling.  I worked tirelessly to achieve my goals.  Tasked to introduce a new engineering concept, the product I was selling was expensive and required time to persuade industries to change their long established methods.  However, after only nine months my company decided that I was not meeting their objectives and sacked me.

This came as a huge blow, I felt that I had been set up to fail and totally deflated.  At first I thought I could cope but this second redundancy so soon after the first took its toll and my confidence began to evaporate with every new rejection.  It wasn’t long before I didn’t want to switch on my computer in order to job search and as a result of having attended some absolutely dreadful job interviews, I began to dread the prospect of going to any more.  My health began to suffer.

Fortunately, my wife, a trained therapist, recognised my symptoms of clinical depression and encouraged me to consider a complete change of direction in my career.  She also persuaded me to adopt a dog from Battersea to keep me company.  I have now had the time and space to consider alternative options and I have returned to my love of photography.  I realize that this is what I want to do more than anything.  I am now making a fresh start with new hope and optimism for the future.

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I WAS RECENTLY MADE REDUNDANT.

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Candidates having to bring customers, and business contacts with them.

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I found another job – the learning curve was steep.

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I spent a lot of time away from home travelling. Then they sacked me.

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My health began to suffer.

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She persuaded me to adopt a dog from Battersea.

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I am now making a fresh start with new hope and optimism for the future.