Tag Archives: photos

About Looking by John Berger

about-looking

Among my pile of books yet to read as part of my studies I had ‘About Looking’ by John Berger.  I have only recently been introduced to this author through my Context and Narrative Course, I read his book ‘Ways of Seeing’ and watched the accompanying BBC TV program on You-Tube which I found very interesting. I then went onto read ‘Understanding a Photograph’, in preparation for my fourth assignment.  The recent sad news of John Berger’s death prompted me to read this book, ‘About Looking’.

This book is made up of a selection of essays, Berger wrote from the mid 1960’s up to the late 1970’s.

His first essay examines how man looks and sees himself; how he regards animals and his world around him and compares this to how other animals regards themselves, man and the world through their eyes.

His next essay looks at pictures by August Sander the famous farm hands going to a dance photo and another image of a local musical band posing for their photograph and he discusses how their suits give away their status in society despite their smart attire.

Also included is an essay on the works of Paul Strand.  The rest of the book moves away from photography and looks at works by other artists from the 17th century such as Hals through to Artist’s such as Francis Bacon and Giacometti of the 20th.

An interesting read, Berger had his own style of writing and if you have heard him speak you can almost hear his voice coming through the pages of the book.

He was clearly very passionate about art and I am sure a nice guy to have met.  I am sure all who were fortunate enough to have met him will miss him.

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Formal Assessment for assessment III, 16x items, labeled 1 – 16

I have reprinted all my photos using the adopted lilac Hue style suggested by my Tutor as I like the result and further to his comments, I also re-took the photo of image 5 standing on the soap-box for a better composition and made some Photoshop improvements to some of the other images for example image 3 (please refer to my earlier blogs) .  Included in the folder is my Tutor’s report, Shaun Mullins – 512659 – Photography 1 Context & Narrative – Assignment 3 (1)  My 300 word introduction labeled 1 of 16 300-word-introduction The character descriptions from my friends and family and a printout of the associated anchoring text marked 6 of 16 a-self-portrait-as-regarded-by-othersDads Character StatementSarahs Character Statementimg547img551

Formal Assessment for Assessment II, 9x items, labeled 1 – 8a and 8b

For this assessment, taking on board my Tutor’s comments I took two new photos one for image to simply change the composition from portrait to landscape for consistency and I changed the last image for a strong picture.  I also reprinted all the images using my Tutor’s suggestion of adding a little lilac to the Hue as I was unhappy with the colour cast I appeared to be getting as I couldn’t get a perfect black or grey.  This intended Hue is very subtle and I like the result.

Included in the folder is my Tutor’s report Shaun Mullins – 512659 – Photography 1 Context & Narrative – Assignment 2  a printed copy of the anchoring text for each image  marked 8a the-unseen and my 300 word introduction marked 8b redundant-reflections and the photos.

 

Creating Assignment 5

I arranged with our Vicar to take the photos on Sunday, October 17, which was also a convenient day for my two models.  After the last service the church would be free and I would not be in anyone’s way or be interfering with church services.  I made sure all batteries were fully charged, and I made up the light-boxes in preparation for a quick set-up.  I always take photos in RAW and having experimented at home with both lighting and white balance I decided to manually set the white balance on my camera to the lowest colour temperature for maximum effect (2500K).

The equipment for the shoot consisted of:  Nikon D800e, 24-120mm f/4 zoom lens, Tripod, Sekonda lightmeter, Pocket Wizard TT1 and AC3 controller mounted to the camera, 3 x Nikon speedlights controlled by 3 x TT5 Pocket Wizards, 1 x amber gel, 1 x red gel, 1 x dish reflector, 1 x 120 x 40 long rectangular soft-box, 1 x large square soft-box, 3 light stands with tilting brackets, 1 x large black flag / reflector.

Props:  ‘No Pets’ sign (sticker mounted on a white board and stuck to the wall by the door using double sided sticky pads.  My pet dog Honey on her lead, walking stick to imply their journey.

Costume: Business suit for Ann-Marie, County suit for Graham.

The lights were configured as follows:

In side the church I set up a speedlight with a TT5, gelled red and a reflector dish attached then mounted this assembly to light stand and positioned behind my female model (Ann-Marie) at head height in order to create the red rim-lighting.  I then used a speedlight with a TT5 and an amber gel with the 120 x 40 soft-box to illuminate the whole body length of Ann-Marie.

As the weather was overcast, I needed to use the large soft-box un-gelled to illuminate my second model (Graham) with my dog (Honey).  This was fitted to a light stand and stood to the left of the camera above the height of Graham and angled down.

prep

This test shot illustrated my lighting and you can just see the edge of the rectangular soft-box top right corner of the door above and behind Ann-Marie.

However, the shoot didn’t start as planned.  The Vicar was not around as I later discovered that he had gone away with his wife as it was her Birthday and he hadn’t mentioned my photo shoot to anyone.  I was able to arrange for a volunteer to return to the church after lunch to open it up for me for my photography; but the next problem was when I returned at the appointed time and the church was opened for me we could not find a key to the Choir Vestry (the door I had chosen for the shoot) so I had to use an alternative door that was accessible which was a fire-door on the side of the church.  This presented two new problems firstly I was exposed to the wind which was a little gusty and behind this door which was close to the alter an large stage was set up for the 11am services with musical instruments.  The door wouldn’t stay open and we had to find something to wedge it open that I later had to remove in Photoshop.  The door itself was a fire-door and again these handles would have to be erased and the background behind Ann-Marie would also need altering in Photoshop.

On setting up the lighting I managed to drop an expensive Nikon speedlight on to the stone floor, luckily it still worked but something appears to be loose inside; so I will no doubt have to send it off to Nikon for servicing.  My wife had to hold the large soft-box to stop it from being blown over and Honey was naturally restless.  The other problem was that the speedlights needed lite to recycle; so didn’t always fire with each shot taken.  This is where more expensive studio lights prove superior but at this moment in time I can not justify the investment.

I directed Ann-Marie to stand just inside the church door with the rectangular soft-box directly opposite her and the red gelled light hidden behind her head and holding up her hand to indicate the signal to stop and then to waggle her finger to convey the same message.  I also directed Graham to for two types of pose the first look thoughtfully at the dog and the second to be looking towards Ann-Marie for comparison.  I had to make various adjustments to positioning of the two soft-boxes and power output which eat into the time. We were only able to work for two hours before the weather threatened rain and we had to stop and I was feeling a little frustrated and low as I felt that I hadn’t been able to find the picture.

On returning home I transferred the photos to my computer but then left it for a couple of days before properly looking through them in Lightroom.  When I returned to my work I found that I had taken 290 photos and after spending some time comparing the images I was able to select a six images that I felt that I could merge together to make one suitable picture.

I then selected which images would be suitable for Graham and Honey and which would be suitable for Ann-Marie, I then made the appropriate adjustments in Lightroom to enhance the cold or warmth make any-other fine adjustments before exporting to Photoshop.  In Photoshop I then had to remove the unwanted artifacts from the pictures such as the item used to wedge the door open the fire-door handles and the staging behind Ann-Marie.  When the images were sufficiently ‘cleaned-up’ I merged the two to create my final picture.  As it happened only one image of Graham with only one image of Ann-Marie worked as suitable matches, due to the positioning of Graham and where Ann-Marie was looking; but I had what I was originally looking for which was a moment of decision from the Traveller as the doorman is advising him that he must enter alone.  I was pleased that this image also provided a great expression from Honey as she looks back at Graham.

 24-120mm f/4 @ 38mm, 1/125, f/5, ISO 125, WB 2500K.  Adjusted in Lightroom.

24-120mm f/4 @ 38mm, 1/125, f/5, ISO 125, WB 2500K.  Adjusted in Lightroom.

From these six images only two worked together.

graham-and-honey

ann-marie-1

 

 

 

Julie Cockburn

Julie Cockburn

I learned of this artist through a fellow student  on Facebook.  Cockburn appears to specialize in ‘found photographs’ that she embellishes with embroidery, etc. often to disguise or obliterate the face / identity of the person in the picture.  She has exhibited and sells her picture for large sums http://thephotographersgallery.org.uk/juliecockburn.  Like the lady in the picture, I can say no more about this artist.

As artist we are a funny breed! I was recently told by an artist that most artists are Socialists and I often hear them talk about the evils of Capitalism and then I go and find that artist will find someone else’s old photos and scribble, scratch, embroider or simply add a title to alter their meaning and put them up for sale for large sums of money.  Seems to me without the evil Capitalist world we would be starving or more likely simply not doing art!

Salvador Dali was kicked out of the Surrealist movement for supporting Franco, perhaps his real crime was that he just couldn’t be hypercritical enough for his fellow contemporaries.

 

The last Tycoon

Photo by William Eggleston.

Yesterday, Saturday, my wife and I visited London to see the William Eggleston Exhibition at The National Portrait Gallery and then go on to see a play.

The weather was warm but wet however, this didn’t dampen our day.  On arrival to Trafalgar square, I mistakenly went in to The National Gallery and after a quick scout around asked a member of staff where the William Eggleston exhibition was.  The young lady gave me a look that one would have expected to get from the head waiter at Simpsons when asked for a Big Mac and fries.  She politely and a little condescendingly informed me that I was in the wrong gallery and directed me around the corner for The National Portrait Gallery.

As I walked around the corner and entered The National Portrait Gallery, I noted that it is all part of the same building but separated and given a side entrance.  Unconsciously perhaps placing portraiture in it’s considered place in the hierarchy of Art.

Photo by William Eggleston, this eligant but prim woman sits legs crossed next to a post wrapped in chain and pad-locked.  The post appears to act like a metaphor you can look bot can’t touch!

Anyhow, having found the exhibition we enjoyed Eggleston’s mixture of black-and-white and colour photos of mostly friends and family.  Some of the pictures on display were seen for the very first time as they had come from his private collection.  Also there was a display of some of Eggleston’s video work that he had made in the early 70’s a genre that I was unaware that he has worked in.  His pictures and video was of his life in Mississippi and it was clear from his images that he is a very good observer a talent that I have always had myself but only now with this photography degree course can I see a real use for it and have a reason to develop it further.  This exhibition was about his portraiture based work and had interesting details about his subjects, such as the dentist who had lost his practice through his use of drugs and later died in suspicious circumstances; his road trip with Dennis Hopper; his friends and neighbors, etc.

Photo by William Eggleston.

This image Eggleston describes as his first attempt  with colour and pleased with it’s success that he felt worked continued.  I agree the low sun from the sun-set or sunrise gives this young man’s skin tomes a very warm hue.  I like the shadow that repeats, yet with what is probably Eggleston’s shadow it also suggests another narrative.  The lady in the corner also works for a triangular formed composition.

My personal favorite photo was of a girl he photographed in black-and-white in a local night club who was clearly had at least one too many.  (Didigiat image unavailable)

Eggleston’s Grand-father with his man-servant at a funeral, photographed by William Eggleston.

I note that many photographers that are recognized in the art world are from privileged or fairly affluent backgrounds, naturally photography is not a cheap past time and for it helps to mix in the right circles in order to get interesting pictures in sometimes exotic locations.  Eggleston is no exception, from a wealthy family background he has been fortunate enough to have the support and subject matter to tap in to.

Following on from this exhibition we ended the day enjoying a good play about a 30’s film producer, called ‘The Last Tycoon’ The play reminded me of my exhibition and the title reminded me of the photo of Eggleston’s Grand-father with his man-servant who is unconsciously mimicking his boss’ pose.